Laura Hindmarsh
Born 1987 raised in the Whadjuk region of the Noongar nation (Perth, Western Australia)
Currently living and working in East Sussex.
laurahindmarsh.com
Academic Details
2019 – 2020 Master of Fine Art, The Ruskin School of Art, University of Oxford
2018 - 2019 Syllabus IV - Alternative learning programme co-produced through Wysing Arts Centre,
Spike Island, Studio Voltaire, S1 Artspace, Iniva and Eastside Projects.
2010 Bachelor of Fine Art. Hons, University of Tasmania
2005 - 2009 Bachelor of Fine Art. University of Western Australia
Selected Exhibitions and Screenings
2024 Symbiosis II, Four Corners, London
2023 Contact: Perpetual Possibility, Iklectic, London
Bunk, ASpace, East Sussex College Group, Hastings
2022 Bedbugs and Other Intimacies, Hweg, Penzance
2021 Trigger...Trigger, Visual Bulk, Hobart
A Good Line, A Good Lie, AI Gallery at Cromwell Place
2019 Bloomberg New Contemporaries, Leeds Art Gallery and South London Gallery Practising Concern, Underpinning, Artlicks Weekend 2019, London
Syllabus IV Presents, Eastside Projects, Birmingham
Outwith, Guest Projects, London
Atlas, Experiments in Cinema, Albuquerque
2018 Finding Focus, Istanbul International Experimental Film
Festival Field and Frame, Mono No Aware, Film screening, New York
John Fries Award, University of New South Wales Galleries, Sydney
Playback, Dobell Australian Drawing Biennale, Art Gallery of NSW, Sydney
Matters of Being, Independent Film Show, Belvedere Museo Nitsch, Naples
LAND SHIFTING, Alchemy Film and Moving Image Festival, Hawick
Long Distance Accumulation, Runway Australian Experimental Art, online Figuratively Speaking, Centre for Contemporary Photography, Melbourne
2017 Schools of Change, Artist Film Weekender, HOME, Manchester
Primavera 2017, Museum of Contemporary Art, Sydney
Black Box Shorts: (Dis)appearances, Edinburgh International Film Festival Passages, Contemporary Art Tasmania, Hobart
Self Registration, Alchemy Film and Moving Image Festival, Hawick
Process Experimental Film Festival, Riga
2016 Somewhere, Away,146 ArtSpace, Hobart
Finding Focus, PhotoAccess, Canberra
Exhaust, Contemporary Art Tasmania, Hobart
Field and Frame, Closeup Cinema, London
2015 ATAVAST, Standard Practice, Room Service, New York
2014 Synchronised Fallibles, Apiary Studios, London
It Is Not It That We See, Sawtooth ARI, Launceston
Wall Drawing Window, Centre for Contemporary Photography, Melbourne Formed & Unformed: An Exhibition of Drawing, 146 ArtSpace, Hobart
2013 VIDEO AIR, Galerie ArtPoint, Vienna
Spiegel im Spiegel, Ve.Sch, Vienna
Sound to Light, with Dylan Sheridan, Dark MOFO, Hobart
2012 …Come to Life…Queen Victoria Museum and Art Gallery, Launceston
Closure Loops, Salamanca Arts Centre, Hobart
Residencies
2024 Parramatta Artists Studios, Artist-in-Residence Program, Sydney
2021 British School of Rome, New Contemporaries Residency
2019 Scottish Sculpture Workshop, Winter Residency, Lumsden
2018 Waveform, Artist commission, Flatpack Film Festival, Birmingham
2017 Alchemy Film and Moving Image Residency, Rissani, Morocco
2016 Double Exposure, PhotoAccess / Gorman Arts Centre, Canberra
2015 Asialink, Kyoto Arts Center, Kyoto
2014 Rosamond McCulloch Studio, Cite International des Arts, Paris
Arts Tasmania AIR at Guilford Young College, Hobart
2013 Bm:ukk in Residence, Vienna
Big Fag Press, Emerging Artist Residency, Sydney
Awards/Prizes
2021 an Bursary: Time, Space, Money 2019 Developing Your Creative Practice, Arts Council England
2018 John Fries Award, Finalist
2016 Australian Artists’ Grant, NAVA
2014 Australia Council, New Work Grant – Early Career
Ian Potter Cultural Trust
Copyright Agency Creative Individuals Career Fund
Artsbridge Travel Grant, Arts Tasmania
2013 Artsbridge Travel Grant, Arts Tasmania
Australia Council, Artstart Emerging Artist Grant
Assistance to Individuals Artist Grant, Arts Tasmania
2012 Tasmanian Portraiture Prize
JUMP National Mentoring Program for Young and Emerging Artists
Bibliography
Consuelo Cavaniglia, ‘John Fries Award 2018’ , cat., UNSW Galleries, Sydney, 2018
Chloé Wolifson, ’Primavera’ ArtAsiaPacific, 2017
Elyssia Bugg, ’Laura Hindmarsh: Runtime’ Realtime online, 2017
Melissa Miles, Laura Hindmarsh: Finding Focus, exh. Cat., MCA, Sydney, 2017
Chistopher Naughton, Gert Biesta, David R. Cole, Art, Artists and Pedagogy, Routledge, 2017
Miranda Johnson, Laura Hindmarsh: Finding Focus, exh. cat., PhotoAccess, Canberra, 2016
Simon Payne, Negative Light: Contemporary British Experimental Film and Video, Senses of Cinema, issue 78, 2016
ATAVAST, exh. cat., Standard Practice, New York, 2015
Mary Scott and David Edgar, Formed & Unformed: An Exhibition of Drawing, exh. cat., 146 ArtSpace, Hobart, 2014
Judith Abell, ‘The Eye Looks Inward’, RealTime, issue 116, August–Sept 2013
Matt Warren, ‘Choose Your Own Adventure’, Closure Loops, exh. cat., Salamanca Arts Centre, Hobart, 2012