Gerüste im Mittelalter

KK19 Revival

Tuesday 11.6 - Friday 14.6

Curated by Léa Lanoë and Pierre Borel (the two main figures behind the friendly and unlimited feeling of the, since two years, closed space on Karl-Kunger Strasse called KK19), these four days become a performance in sich on manifold interests and unusual ways of presenting ideas. We'll have live music, conferences, film screenings, and performances in the spirit of the KK19.

Tuesday 11.6

Herr Borelgrip  

Tome X de Brel w/ Matthias Kadar

DodesKaden 16mm Archives : Crochet du gauche, 1930 / 16mm / 10'00

Wednesday 12.6

Le Bloc : Sam Langer | Eve Richens | Marion Breton |  Lotti Thiessen | Joel Scott

Herr Borelgrip

DodesKaden 16mm Archives : La mystérieuse vie sous marine, 1930 / 16mm / n&b / 15'00

Nul N'est Censé de Léa Lanoë, 2018 / 16mm numérisé /n&b /23' 00

Duo Antonio Borghini/Mat Pogo

Thursday 13.6

Herr Borelgrip

Ptolemy's Composition de Lucas Maia, 2017 / HD / 4'00

DodesKaden 16mm Archives : Tritons et Naïades, 1950 / 16mm / 12'00

South Balkan Peninsula : Tasos Makris (balkan bagpipe) and Valasia Dodoulou (voice, bendir)

Friday 14.6

19:00: Work in Progress: Laurence Favre |  Dala-Floda Project

20:30: Grand BAZAR :

Brazilian Tapioca performance

Fake cd release Herr Borelgrip

Sans Lune de Sophie Watzlawick, 2017 / 16mm / n&b / 8' 00

Studie zur Farbe de Lucas Maia, 2014 / 16mm / 8'00

Solo Tristan Honsinger

Gerüste im Mittelalter

Cocktail tutorial  

DodesKaden film encyclopedia : A

About the artists and films

Herr Borelgrip

Pierre Borel - alto saxophone

Joel Grip - kontrabass

Herr Borelgrip typically involves an introduction to the procedure during which the subject is told that suggestions for imaginative experiences will be presented. The Borelgrip induction is an extended initial suggestion for using one's imagination, and may contain further elaborations of the introduction. A Borelgrip procedure is used to encourage and evaluate responses to suggestions. When using Borelgrip, one person (the subject) is guided by another (the Borelgrip) to respond to suggestions for changes in subjective experience, alterations in perception, sensation, emotion, thought or behavior.

Tome X de Brel

Matthias Kadar - guitar, voice

Stupidity is laziness. The stupidity is a guy who lives, and he says to himself: it's enough for me. It is enough for me. I live, I'm fine, that's enough for me. And he does not kick his ass every morning saying: it's not enough, you do not know enough things, you do not see enough things, you do not do enough things. I think laziness is stupidity. A kind of fat around the heart that comes; a fat around the brain. I think that's it.

Don’t be stupid, don’t be lazy, come listen to Matthias Kadar at Au Topsi Pohl.

- Jacques Brel

Tristan Honsinger


Well, it happen to me one summer with my aunt Myrtle

I took my brother to see her and she said : Tristan, how old are you?

I thought and I said I think I’m ten aunt Myrtle and she said well, I think you can take the boat out with your brother.

So we went into the middle of the lake according to us - the middle - and I gave him his fishing pool and a second later maybe, the pool went more than a Noha’s ark, it was like PRRRR! I knew this was not for him to handle. I took the rod and the fish jumped out of the water, looked at us, and beat the line clean and dove back into the lake…yes…maybe that’s the first encounter with a master improviser.

Mat Pogo


Born in Rome, he is a vocalist and graphic artist now resident in Berlin. In the 90’s he was one of the founder members of the Burp Enterprise collective and Jealousy Party, one of the most advanced musical units in Italy, mixing with personal touch soul, improv, avant rock, noise and error music. In the years he developed his own language as a singer/voice-artist using his experience as a rock singer, an improviser and radio-artist where music, sounds, anecdotic and narrative elements fuse constantly.

Antonio Borghini

Double bass player Antonio Borghini is active since the late 90’s (probably 1896?) in the European music scene exploring the process of improvisation. His main focus is the collective, and how to develop together strategies that combine compositions, words and movements in an inclusive way. This way of working leads him to build long-term collaborations based on collective work, intuition and on the urge for invention. (this is why we asked him to do a solo, but it turned into a duo with Mat.)

South Balkan Peninsula  

Tasos Makris (balkan bagpipe) and Valasia Dodoulou (voice, bendir)

“So, they play tunes from the South Balkan Peninsula. There are similarities. We can call it greek folk music because of the lyrics adapted eventually all these past decades. There are big common influences in south Bulgaria, North Macedonia, Macedonia (north central Greece), Thrace. So I think it's quite blurry to clarify what they play. They are from Serres.”

- Geburstagskind TEFRA90


Sam Langer | Eve Richens | Marion Breton | Lotti Thiessen | Joel Scott

-Le bloc commence par "Bonjour" et finit par "Merci".

Le bloc est un jeu qui prend la forme d’une conférence improvisée à plusieurs voix. L’élaboration en temps réel est assurée par l’observation d’un petit nombre de règles formelles : le discours se constitue au fur et à mesure qu’il avance, selon une logique d’enchaînements qui peu à peu l’éloigne de son point de départ. Par ces moyens simples, le bloc travaille ainsi la possibilité d’une énonciation collective, qui est aussi un puissant moteur de langage et de fiction.

DODESKADEN est un laboratoire associatif de diffusion géré par un collectif de cinéastes, de projectionnistes et d’enseignants qui entend soutenir la diffusion d’œuvres qui ne trouvent plus ou pas d’espace de rencontre auprès du public.

A Marseille, l'association coordonne avec plusieurs lieux de diffusion une dynamique autour de la programmation de films sur tous support avec une attention toute particulière pour l’argentique. L’association noue une relation privilégiée avec la Ligue de l’Enseignement et devient dépositaire d’un fonds de films 16mm dont elle assure le catalogage et la ré-actualisation dans le sillon des expérimentations menées dans le cinéma d’éducation populaire.

Nul N'est Censé de Léa Lanoë, 2018 / 16mm numérisé /n&b /23' 00

- Why did you become a judge?

- That's called a vocation. A vocation is always suspicious. Priest vocations, soldier vocations, cop vocations, judge vocations…watch out.

Ptolemy's Composition de Lucas Maia, 2017 / HD / 4'00

Laurence Favre

der 1000 Meters Projekt

They are writing a letter to a mysterious missionary who passed away more than a century ago.

I started filming them with my Bolex. This is a work in progress. I will share some images and thoughts with you.

Dala-Floda Projekt

A film half made. Get a sneak peek into the work half way through.

Sans Lune de Sophie Watzlawick, 2017 / 16mm / n&b / sonore / 8' 00

Der Sturm erhebt sich. Auf einem Boot mit gehissten Segeln, weit draussen, vermischen sich die Litaneien der Passagiere mit den Flüchen der Matrosen. Das Meer erbricht sich über sie, und sie erbrechen sich über das Meer.

Ode an die Prekarität in einer barbarischen Welt, Sans Lune (Ohne Mond) ist auch eine Metapher für das Menschsein in seinem Kampf ums Überleben.

Studie zur Farbe de Lucas Maia, 2014 / 16mm / 8'00