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      Maryland Dance Education Association Conference Schedule

October 17, 2025 - Towson University Center for the Arts

Reflections: Celebrating 10 Years of Maryland Dance Artistry & Education

Session Time

Room #1001

Room #1003

(Studio Theater)

Room #1004

Room #1006

Room #1008

8:00-8:30am

Registration & Check In

Towson University Center for the Arts, 1st Floor Lobby

8:30-9:20am

MDEA Member Meeting
Towson University Center for the Arts, Room #1003 (Studio Theater)

9:30-10:30am

Males Dancing Circle of Support

Reggie Cole

Somatic Snacks to Improve Dance Skill and Dancer Wellbeing

Nancy Wanich-Romita

Increasing Satisfaction in Recreational Dance: Student-Centered Pedagogy and Community-Driven Processes

Caitlyn Creasy

Integrating Rotator Disc & FA(r) Principles into Ballet Pedagogy

Catherine Horta-Hayden

Improv-ing Through the Decades

Melinda Blomquist

10:45am-12:15pm

Exhibits/Vendors
Set Up at 10:30am

Creating with Chance & Change: Move, Include, Expand

Jill Vasbinder Morrison

Somatic Tools for Coordinated Expressive Movement

Nicole Martinell

Sabor y Soul: Latin Roots and the Contemporary Blend

Bayardo Martinez  

Standing on the Shoulders of Giants

Monique Walker 

Gender and Dance Education Artistry: What’s Inside?

Lindsey Bauer

12:15-1:15pm

Exhibits/Vendors

Lunch/Networking – The Glen Dining Hall 

Join MDEA conference attendees for lunch and an opportunity to connect with the field.  

Bring your lunch ticket for a cafeteria-style dining experience.

1:15-2:15pm

NHSDA: Connect & Reflect

Tiffany Alastanos-Martin

Leading Change in Arts Education: Tools & Tactics for Advocacy

Rachel McGrain

NOW! That's What I Call

Hip Hop

Darryl Pilate

Audience-ography: Performance and Engagement

Emily Moul

Sabor y Soul: Latin Roots and the Contemporary Blend

Bayardo Martinez  

2:30-3:30pm

What's the NBCT Tea!

Jaye Knutson

Building the Inner Champion: Mental Wellness & Identity Beyond the Stage

Stephanie Case

"From Centerstage to Front of House": A Unique Pathway to Leadership

Temisha Richardson

Talking Back: A tool for building Inclusive Culturally Responsive Pedagogy/Andragogy

Mya Dixon Ajanku

4:15-6:00pm

MDEA Social & Awards Ceremony

Stoney River Steakhouse & Grill - Towson, MD

TAKE TEN TO CONNECT: Connect with MDEA on social media! Tag us and use #mdeacon25

                                           Instagram: @mddanceed                                   Facebook: mddanceed                Twitter: @mddanceed

Target Audience Key:

AE = All Environments | AD = Arts Administration | EC = Early Childhood

HE = Higher Education |K12 = K-12 Education | PR = Private/Parochial/Independent Schools | PU = Public Schools

PS = Private Studio | ST = Student | TA = Teaching Artist

8:30am – 9:15am

MDEA Member Meeting w/ MDEA Board of Directors

Participants will hear updates from MDEA.

Audience: MDEA Members

9:30am – 10:30am

Males Dancing Circle of Support w/ Reggie Cole (Inclusion, Movement, Research)

This session will share methods for cultivating a supportive space for males in our dance studios and the greater community.

Audience: AE

Somatic Snacks to Improve Dance Skill and Dancer Wellbeing w/ Nancy Wanich-Romita (Movement, Neuroscience, Research, Somatics, Workshop)

What is an FA® somatic snack you ask? It is a brief embodied training practice that is easily woven through a dance technique class to enhance student confidence, focus, and improve skill. The presenter will guide participants through a series of embodied practices in Functional Awareness®. Each exercise is 1-4 minutes in length. The session applies current research on the efficacy of using brief repeated body/mind practices to improve dance skills and support dancer wellness during dance technique class. FA® somatic snacks can be a tool to breathe new life in your usual routine of teaching. This session offers a combination of information dissemination along with fun movement explorations. The strategies employ self-tactile, visual, auditory, and kinesthetic cues that encourage students at any skill level to enter the next movement task with ease in the nervous system, resilience in the musculoskeletal system, and readiness in mind. This session will promote new pathways to social emotional learning through somatic body learning.

Audience: AE

Increasing Satisfaction in Recreational Dance: Student-Centered Pedagogy & Community-Driven Processes w/ Caitlyn Creasy (Research, Community Dance)

How can recreational dance programs use student-centered activities to align the values of teachers, students, and families and increase satisfaction? Carroll Manor Dance is an offering of Carroll Manor Recreation Council (Baltimore County Recreation and Parks). Existing literature supports the notion that student-centered pedagogy increases student engagement, and that learning is a collaborative and embodied process. This presentation will explore ways that dance educators in recreational dance settings can amplify participant voice while providing high-quality dance instruction and how certain instructional activities increase satisfaction in the program and engagement with class content.

Audience: AD; ST; TA; Recreational Dance

Integrating Rotator Disc & FA(r) Principles into Ballet Pedagogy w/ Catherine Horta-Hayden (Movement, Lecture)

Experience innovative instructional strategies that combine the use of rotator discs (21 Century Physical Therapy Rehabilitation Tool) and Functional Awareness® Principles through pedagogical sequencing that will connect the embodied experiences to traditional ballet technique.

Audience: AE

Improving Through the Decades w/ Melinda Blomquist (Movement)

Join us for a fun session of improvisation based on movement ideas from various decades. Taking inspiration from movement ideas, we will play and explore as we celebrate the 10th anniversary of MDEA!

Audience: AE

10:45am – 12:15pm

Creating with Chance & Change: Move, Include, Expand w/ Jill Vasbinder Morrison (Inclusion, Movement, Research, Workshop)

This session welcomes dancers and educators as we explore using chance & change to open up our creative & teaching practices. We will learn about the concepts of chance used by post-modern artist Merce Cunningham and the historical work “50 Looks,” with a case study model of how we learned the solo and then developed into a group work. We will then create our own work(s) and explore how to use this process with students as a dancemaking tool. Through explorations or action, energy, space, unlocking your creative minds from habits, bias, and judgement, participants will perform this choreography.

Audience: HE; K12; PR; PU; PS; ST; TA

Somatic Tools for Coordinated Expressive Movement w/ Nicole Martinell  (Inclusion, Movement, Research, Somatics, Workshop)

Celebrate the body’s responsiveness through a movement session that explores how the torso adapts, supports, and expresses. Participants explore somatic tools through floorwork, tactile props, imagery, and guided movement explorations focused on torso-limb coordination, spiral interplay, and dynamic alignment. Rooted in Alexander Technique, Bartenieff Fundamentals, and experiential anatomy, this workshop offers practical strategies to help students access greater ease, efficiency, resilience, and artistry. Guided exploration and reflection deepen educators’ understanding of how a responsive torso can enliven movement and empower students toward fuller embodiment. Come ready to move, reflect, and expand your teaching toolkit.

Audience: AE

Sabor y Soul: Latin Roots and the Contemporary Blend w/Bayardo Martinez (Inclusion, Movement, Workshop)

This invigorating workshop explores the powerful fusion of traditional Latin dance and contemporary technique. The session anchors itself in the Sabor (flavor) of Latin roots, showcasing rhythmic grounding, authentic body isolations, and foundational passion. It seamlessly integrates the Soul (alma) by drawing on contemporary concepts of breath, release, and spinal articulation to unlock greater fluidity and personal expression. Move beyond fixed social forms and structures to develop a genuinely unique, blended style. Participants gain practical tools and an innovative movement phrase that flawlessly fuses the fire of tradition with the creative freedom of contemporary pedagogy. Unleash a new vocabulary of movement rooted in rhythm and built on individual artistic voice.

Audience: AE

Standing on the Shoulders of Giants w/ Monique Walker (Movement, Workshop)

This lecture/movement workshop is a Sankofa (go back and get it) learning experience, introducing participants to the Umfundalai contemporary African dance technique’s history and movement vocabulary. Participants will engage in reflective written and movement activities to address the phrase, “When and Where We Enter”, and identify the people and experiences that contribute to their current perspective on dance.

Audience: AE

Gender and Dance Education Artistry: What’s Inside? w/ Lindsey Bauer (Inclusion, Movement, Workshop)

In this workshop participants will explore where gender lives inside the movement we teach/perform and how to provide options for inclusive choreographic teaching practices. In this movement workshop, participants will experience an improvisation-based warm-up, opportunities to create movement ideas, and in small groups explore and perform the ways we can create space for broader ideas about gender. There will be opportunities for discussion throughout.

Audience: EC; HE; K12; PR; PU; PS; ST; TA

1:15pm – 2:15pm

NHSDA: Connect & Reflect w/ Tiffany Alastanos-Martin (Inclusion, Honor Society)                                                                                                                                                   

Connect with fellow NHSDA sponsors to explore ways your chapter can make a meaningful impact on students and your community. We’ll review current national NHSDA initiatives and share ideas for successful projects and events. Whether you’re a seasoned sponsor or just considering starting a chapter, this collaborative session will offer inspiration, resources, and practical tips to support and grow your program.

Audience: HE; K12; PR; PU; PS

Leading Change in Arts Education: Tools & Tactics for Advocacy w/ Rachel McGrain (Advocacy & Policy)

The session provides a broad look at Maryland arts education advocacy. The session will educate attendees on what Maryland public school students should have access to under the Code of Maryland Regulations, the impacts of the Blueprint for Maryland’s Future legislation on arts education, and ways attendees can make an advocacy strategy to address issues of arts education access in their own communities.

Audience: K12; PU; TA

NOW! That's What I Call Hip Hop w/ Darryl Pilate (Movement)

Step into a nostalgic groove with this dynamic hip hop class, inspired by the golden era of the late '90s and early 2000s. In the spirit of reflection, we blend iconic beats with classic moves, celebrating a time when hip hop culture redefined music and dance. From old-school rhythms to timeless choreography, the session invites you to relive the energy, attitude, and soul of a pivotal era. Whether you're a seasoned dancer or just starting out, this class offers a fun, high-energy experience that honors the past while keeping the vibe alive. Come move, sweat, and reminisce—hip hop style.

Audience: HE; K12; PR; PU; PS; ST; TA

Audience-ography: Performance and Engagement w/ Emily Moul (Movement, Technology, Workshop)                                                                 

Audience-ography: Performance and Engagement aims to expand the connection between performers and observers. Using an interactive technology tool, dancers will adapt their performance techniques and improvise based on feedback from the audience. In addition, dancers will educate audiences about various genres and elements of dance. Participants in this session will act as both performer and audience member to move in a variety of styles while also navigating real-time feedback that informs what comes next. The session will contain elements of composition, improvisation, explore pre-performance activities, and provide participants the resources to implement this project on a stage or in the studio. This session is recommended for dance instructors seeking to introduce new improvisational or chance strategies to their classes or performances.                                                                                                                           

 Audience: K12; PR; PU; PS

Sabor y Soul: Latin Roots and the Contemporary Blend w/Bayardo Martinez (Inclusion, Movement, Workshop)

This invigorating workshop explores the powerful fusion of traditional Latin dance and contemporary technique. The session anchors itself in the Sabor (flavor) of Latin roots, showcasing rhythmic grounding, authentic body isolations, and foundational passion. It seamlessly integrates the Soul (alma) by drawing on contemporary concepts of breath, release, and spinal articulation to unlock greater fluidity and personal expression. Move beyond fixed social forms and structures to develop a genuinely unique, blended style. Participants gain practical tools and an innovative movement phrase that flawlessly fuses the fire of tradition with the creative freedom of contemporary pedagogy. Unleash a new vocabulary of movement rooted in rhythm and built on individual artistic voice.

Audience: AE

2:30pm – 3:30pm

What's the NBCT Tea! w/ Jaye Knutson (Advocacy & Policy, Credentialling)

What's the NBCT Tea! Panel of informed teachers, administrators and policy representatives clarifying the whats, hows, whens and wheres of NBCT compliance for K-12 dance educators. We'll sift through the rhetoric, misinformation and good intentions to clarify the demand, identify dance's unique options and consider their relative merits and disadvantages in time and cost. This session will answer all your questions about NBCT compliance for dance. You'll leave this session feeling confidently informed about how to secure your advanced teaching certificate with all the rights, privileges and responsibilities that come with it!

Audience: AD; K12; PU; ST; TA

Building the Inner Champion: Mental Wellness & Identity Beyond the Stage w/ Stephanie Case (Inclusion, Neuroscience, Workshop)

This session explores how dance educators and coaches can support students' mental wellness and identity development alongside technical training. Drawing from the presenter’s C.H.A.M.P. coaching framework (Clarity, Harness Mental Strength, Align with Purpose, Master Inner Leadership, Perform with Presence), participants will engage in reflective practices and interactive tools designed to promote confidence, motivation, and psychological safety in dance spaces. Through stories, strategies, and group discussion, we will reflect on how to celebrate and sustain Maryland’s dance artistry by nurturing the whole person—especially in the face of pressure, perfectionism, and performance demands.

Audience: AD; HE; K12; PR; PU

"From Centerstage to Front of House": A Unique Pathway to Leadership w/ Temisha Richardson (Leadership)

This session will explore Temisha Richardson’s dynamic leadership journey from the dance studio to the central office. Beginning as a passionate dance educator, she transitioned into leadership as a middle school team leader, where she cultivated collaboration and instructional growth. Her leadership expanded as an assistant principal and later principal, where she led school improvement and launched innovative arts programs. Now serving as the Instructional Supervisor for Dance Education in Prince George’s County Public Schools, Temisha supports districtwide dance instruction and teacher development. Participants will gain insight into navigating leadership pathways while staying rooted in a passion for the arts.

Audience: AD; K12; PU

Talking Back: A tool for building Inclusive Culturally Responsive Pedagogy/Andragogy w/ Mya Dixon Ajanku (Inclusion, Research)

As we reflect on a decade of Maryland dance artistry and education, this session explores how honoring student voices through "talking back" can transform the classroom into a more inclusive, culturally responsive space. This lecture-style presentation will unpack the importance of student input in both pedagogy (K–12) and andragogy (adult learners), offering strategies to cultivate feedback loops that empower learners and affirm identity. Participants will be invited to reflect on their own practices and identify one actionable space for integrating student voice, as a tool for sustaining equitable and responsive dance education across communities.

Audience: HE; K12; PR; PU; TA

2025 Conference Presenter Session and Bios

Tiffany Alastanos-Martin- NHSDA Connect & Reflect 

Tiffany Alastanos-Martin is a dance teacher, junior dance company director, and sponsor for the National Junior Honor Society in Dance Arts at A. Mario Loiederman Middle School for the Creative and Performing Arts in Silver Spring, MD. She holds a BFA in Dance from Ohio University and an MA in teaching from University of Maryland Baltimore County. She is a fully certified Pilates instructor through Power Pilates. Ms. Alastanos-Martin has served as choreographer and coordinator for the All County Dance Ensemble in Montgomery County for the last 5 years and currently serves as the NHSDA Liaison on the MDEA board.

PC: Tiffany Alastanos-Martin

Lindsey Bauer- Gender and Dance Education Artistry: What's Inside?

Lindsey Bauer (she/they) is an artist-advocate-educator who recently joined the dance faculty at Towson University. A Teacher Leader in the Connected Arts Network, Lindsey co-leads a Professional Learning Community whereby participants build capacity to integrate standards-based social emotional learning centered in identity, skills, intellect, criticality & JOY. Lindsey is the PLC manager of the Shirley Hall Bass Legacy Project’s National Performing Arts Initiative with the Ministry of Education in the Bahamas. Lindsey is co-author of the course “Gender Inclusivity in the Dance Classroom” and has presented that research at conferences and universities in CT, NY, MD, CO and WA.

PC: Daniel Eugene

Melinda Blomquist - Improving Through the Decades

Dancer, Choreographer, Educator: Melinda Blomquist holds an MFA in Dance Choreography/Performance from the University of Wisconsin-Milwaukee and an MA in Dance Pedagogy from Brigham Young University. Melinda has presented her choreographic work at numerous venues nationally and internationally, currently Melinda is serving on the Board of Directors of Deep Vision Dance Company and served as a Past-President of the Maryland Dance Education Association. Melinda is a Professor and Dance Program Coordinator at CCBC and the Artistic Director of the CCBC Dance Company. Melinda is involved in community outreach, focusing on promoting the importance of dance as an art form in public education. To learn more about the Dance Program visit: www.ccbcmd.edu/dance

PC: Melinda Blomquist

Stephanie Case- Building the Inner Champion: Mental Wellness & Identity Beyond the Stage

Steph Case is a Mental Wellness & Peak Performance Coach & Clinical Mental Health Counseling graduate student with over 20 years experience as an award winning Latin dance coach. She supports dancers and athletes through mindset coaching, identity development, and leadership training. With a background in competitive dance and over a two decades of experience mentoring youth, Steph empowers high-achieving performers to overcome burnout and self-doubt while reclaiming purpose and presence. She will soon start offers low-cost therapy for Maryland residents ages 13+, focusing on creatives and athletes. Steph’s mission is to elevate the whole artist—mind, body, and soul—through culturally responsive, heart-centered care.

PC: Ati Grinspun

Caitlyn Creasy - Increasing Satisfaction in Recreational Dance: Student-Centered Pedagogy and Community Driven Processes

Caitlyn has been dancing since childhood and teaching in private studios and community programs since graduating from Washington College in 2020, where she minored in Dance and performed with Sho’Troupe and Dance Club. She is currently pursuing her M.A. in Dance Education at Towson University (expected Fall 2025). Caitlyn is also the current Dance Instructor for Stevenson University's Marching Band. Professionally, Caitlyn is a member of Continuum Dance Company (Easton, MD) and has choreographed for Washington College’s Dancescape concerts in 2020 and 2022. She is the Dance Director for Carroll Manor Rec Council (Phoenix, MD), teaching Ballet, Contemporary, Jazz, Tap, Hip Hop, and Poms.

PC: Caitlyn Creasy

Rachel McGrain -  Leading Change in Arts Education: Tools & Tactics for Advocacy

Rachel McGrain (she/her) is the Executive Director at Arts Education in Maryland Schools (AEMS). Rachel's commitment to educational equity and social justice has inspired her career in education and nonprofit leadership. Her work at AEMS includes co-chairing Maryland's Fine Arts Education Advisory Panel to advise the State Superintendent and collaborating with statewide arts and education organizations on programming and advocacy initiatives. She is the recipient of the 2025 NAEA Distinguished Service Outside the Profession Award. A lifelong Marylander, Rachel is a proud graduate of Howard County public schools and former Baltimore City public school math and music teacher and track coach. Rachel earned Bachelors of Arts in Music/Trumpet Performance and History at the University of Maryland, College Park and a Master of Science in Educational Studies from Johns Hopkins University.

Mya Dixon Ajanku- Talking Back: A tool for building Inclusive Culturally Responsive Pedagogy/Andragogy

Mya Dixon Ajanku is an award-winning educator, performer, and researcher with over two decades of experience across Pre-K, special education, and higher education. Grounded in the Akan principle of Sankofa, her work integrates culturally responsive pedagogy with equity-driven, student-centered practices. She holds a B.A. in Dance from UMBC and an M.F.A. from Hollins University in partnership with ADF and the Forsythe Company. Mya’s research examines movement and writing as therapeutic modalities and develops resources for African diasporic movement practitioners in academia. She has performed internationally and collaborated with renowned artists, while considering teaching her greatest calling.

PC: Schaun Champion

Catherine Horta-Hayden  - Integrating Rotator Disc & FA(r) Principles into Ballet Pedagogy

Catherine Horta-Hayden is Chairperson and Professor in the Department of Dance at Towson University. She also served as Assistant Provost for Academic Affairs from 2007 – 2010. Professor Horta-Hayden served as President of the International Council of Researchers in Pedagogical Studies (CORPS) de Ballet in Higher Education, in addition to serving in various statewide arts organizations. Professor Horta-Hayden was invited to research the pedagogy of the National Ballet School of Cuba and taught at the Lizt Alfonso Cuban Dance Company while in Havana, Cuba. She authored the project “Cuban Dance; Enhancing the Cultural Fabric of Baltimore,” which brought 600 Baltimore County middle school youth and teachers to Towson University to expose them to Afro-Cuban history, culture, music and dance. She served as co-director and choreographer for the project “Love Through Time,” an intercultural project performed in Germany and the United States, which brought students from Germany, Cuba, and the United States together to create an a cappella choral concert that included music, percussion, and dance. Professor Horta-Hayden also collaborated with the Ruth Page School of Dance and the Cuban National Ballet School to offer the inaugural 2019 Cuban National Ballet School Teaching Seminar at Towson University. Her most current research, Integrating Rotator Discs Into Ballet Training, was chosen for presentation at the 2014 International Association for Dance Medicine and Science’s Annual Meeting in Basel, Switzerland; the 2015 Performing Arts Medicine Association Conference in Tampa, Florida; the 2015 World Confederation for Physical Therapy Congress in Singapore; and at the 2018 CORPS de Ballet International Conference in Florence, Italy. Professor Horta-Hayden currently serves NASD as a Member of the Committee on Ethics. Professor Horta-Hayden received her Master of Fine Arts degree from Florida State University.

Jaye Knutson - What's the NBCT Tea!

Jaye Knutson, MA, CMA, ARAD has been a leader and advocate for teacher education in dance for over 40 years as program director of Towson University's K-12 teacher certification in dance and more recently as the program director for the Master or Arts in Dance Education.  Her 1997 NEA funded Moving America (MA) initiative of teacher education integrating dance into K-12 classrooms jump started dance/arts integration in Maryland.  Towson's post graduate certificate in Arts Integration and Master of Arts in Interdisciplinary Arts Infusion continue as outgrowths of the MA family of projects.  Her recent publication with coauthors & colleagues  in education, music, reading and kinesiology  Multiple Literacies for Dance, Physical Education and Sports by Springer Nature Publications is her most recent dissemination of the power of movement in teaching and learning.

PC: Alexander Wright

Nicole Martinell - Somatic Tools for Coordinated, Expressive Movement  

Nicole Martinell is a dance and somatic educator and choreographer. She has a BS in Kinesiology, MFA in Dance, and certifications in Alexander Technique and Laban/Bartenieff Movement Studies.  She is the founder of Resiliency through Movement, a somatic movement practice, and Deep Vision Dance Company, a performing arts organization. Her research has been presented at IADMS, NDEO, Somatic Dance, and LABAN International conferences. Honors include Maryland Baker Artist and MDEA’s Dance Educator of the Year Award.  Martinell teaches at Towson University, inspiring students to embrace movement as a source of resilience, creativity, and self-discovery through modern technique, composition, and somatics.

PC: Deanna Bell

Emily Moul - Audience-ography: Performance and Engagement

Emily Moul (MA, BFA) is a dance educator in Anne Arundel County Public Schools in Maryland. She is currently teaching at Northeast High School, but previously taught the Apex Arts dance program at Brooklyn Park Middle School (AACPS) as well as at various schools in Osceola County Florida. She holds a BFA in Dance Performance from Wayne State University and a Master of Arts in Theatre and Dance Teaching Artistry also from Wayne State University. Over the past 14 years teaching in public schools, Emily has been involved in curriculum development, created district assessments, led professional development workshops, taught at the AACPS Summer Dance Intensive, co-directs the AACPS Dance Ensembles, and serves as the co-chair for the AACPS High School Student Choreography Showcase.

PC: AACPS

Darryl Pilate - NOW! That's What I Call Hip Hop

Originally from Texas, Darryl Pilate begins his eighteenth year in dance education as the Dance and Theatre Specialist for Baltimore County Public Schools. He received a Bachelor of Science degree in Dance with a minor in Health Administration from Texas State University and a Master of Business Administration from Texas Woman's University. He studied various dance artists in genres such as ballet, jazz, Hawkins technique, hip-hop, and contemporary. Darryl Pilate has taught at several middle and high schools, choreographing a wide range of dance styles. Since 2019, he has been a guest artist/choreographer for Light Switch Dance Theatre. Darryl is currently President of the Maryland Dance Education Association (2024-2026) and e-Communications Advisor (2023-2026) for the National Dance Education Organization.

Temisha Richardson - "From Centerstage to Front of House": A Unique Pathway to Leadership

Temisha K. Richardson began her dance training at RJV Performing Arts Center in Washington, DC, studying Ballet, Modern, Jazz, Tap, African, Hawaiian, and Tahitian dance. She attended Suitland High School’s VPA Dance Program and later studied at the Alvin Ailey Summer Intensive. From 1998–2003, she earned a BFA in Dance Performance & Education from Towson University and performed with the Stephanie Powell Dance Ensemble. She later earned a Master’s in School Administration from Johns Hopkins. Temisha has served as a dance educator, assistant principal, and principal, and currently works as the Instructional Supervisor for Dance Education in Prince George’s County Public Schools.

PC: Jackie Hicks

Reggie Cole - Males Dancing Circle of Support

Reggie Cole is the dance department’s administrative assistant with over 10 years of administrative experience. He holds degrees in accounting and management studies. Active in the D.C. dance scene for 20+ years, he has performed with CityDance Ensemble, Company E, and Edgeworks Dance Theater, touring internationally and performing at the Kennedy Center and Jacob’s Pillow. Trained in Modern, Jazz, West African, and Ballet, Reggie continues to work as a choreographer, performer, and guest artist. He has taught at multiple institutions, served on the Maryland Council for Dance, and adjudicated regional showcases. He remains dedicated to dance education and performance.

PC: Kan ji Takeno

Jill Vasbinder Morrison - Creating with Chance & Change: Move, Include, Expand

Jill Vasbinder Morrison, BA (Barnard College), MFA (SUNY Purchase), is a dancer, scholar, and community activist teaching at UMBC. After a career in performing and administration, Jill centers her research on decolonizing Dance Studies, incorporating embodied learning into the practice of traditional coursework. She examines the intersections of dance, open licensing, and copyright. Jill presents at humanities and dance conferences internationally. Her recent article was featured on the Conversation and adapted for Actively Learn. She led the HT Lab: Movement Relationships bring the concepts of Embodied Practice across disciplines.  Jill has begun the writing of the biography of Barbara Supovitz.

PC: Ceylon Mitchell

Monique Walker- Standing on the Shoulders of Giants

Monique Walker is a dance educator and choreographer currently residing in Waldorf, MD. She teaches at CityDance (MD), The VIVA School of Dance (DC), and the College of Southern Maryland. She is a Master Teacher of the Umfundalai dance technique and also serves as Executive Director for the National Association of American African Dance Teachers. She holds a BA in Arts Administration, is a Master of Arts Candidate in Dance Studies, and a proud Board Member of the Maryland State Arts Council. Monique’s  choreography has been featured at Dance Place (DC), the Philadelphia Fringe Festival, and the Clarice Smith Performing Arts Center (MD).

PC: Aaron Davis

Nancy Wanich-Romita - Somatic Snacks to Improve Dance Skill and Dancer Wellbeing

Nancy Wanich-Romita (MFA, RSME, M.AmSAT RYT) keynote speaker, dance educator, choreographer, somatic practitioner, & co-author of Functional Awareness: Anatomy in Action for Dancers (Oxford University Press). Romita is a Teaching Professor at Towson University (http://www.towson.edu/dance/fac-wanich-romita.asp),  former director of Alexander Technique Midatlantic Teacher Training & co-founder of Functional Awareness® (www.functionalawareness.org) She was former Artistic Director of The Moving Company from 1993-2001. Her research has been presented at the International Association for Dance Medicine and Science, NDEO, CORPS de Ballet International, Alexander Technique International Congress. A revised 2nd edition of Functional Awareness: Anatomy in Action Dancers released in 2023.

PC: Jim Burger

Bayardo Martinez Jr. - Sabor y Soul: Latin Roots and the Contemporary Blend

Bayardo Martinez Jr. [él/he/him/his]  is a Maryland-born Latino artist, educator, and dance professional. A specialist in Latin dance styles—with a focus on traditional, folklore, and social dances—he fuses these forms with contemporary techniques to create his own distinctive artistic voice. An award-winning choreographer, his work has been featured in numerous venues, including The Kennedy Center and The Music Center at Strathmore. Holding a B.A. from the University of Maryland and an M.F.A. from Saint Mary’s College of California, Bayardo now serves as Dance Chairperson at the Jim Henson Academy of Visual and Performing Arts at Northwestern High School. He is driven by a personal mission to increase the representation of people of color in the arts while empowering the next generation of dancers.

PC: R. Jimenez