CURRICULUM VITAE
Ali Momeni, ali.momeni@shield.ai, +1.510.387.9977
Degree | Institution | Date Degree Granted | |
Ph.D. | University of California at Berkeley Music Composition; Dissertation title: Composing Instruments: Inventing and Performing with Generative Computer-based Instruments; Advisor: David Wessel | 2005 | |
M.A. | University of California at Berkeley Music Composition | 2001 | |
B.A. | Swarthmore College Physics and Music, Pre-med | 1997 |
Carnegie Mellon University, Pittsburgh Associate Professor, School of Art, Sculpture, Installation, Site specific | 2012- |
IRL Labs LLC, Pittsburgh Co-founder, Technical and Creative Director Educational Technologies Company focused on accessible digital authoring tools for youth (see SocialVR and Dranimate) | 2016- |
Gutwise LLC, Pittsburgh Co-founder Mind-gut connection insights based on audio analysis of bowel sounds | 2017- |
University of Minnesota, Twin Cities Assistant Professor, Department of Art, Experimental and Media Arts | 2007-2011 |
Spark Festival for Electronic Music and Art Artistic Director (2010), Artistic Co-Director (2008-9) | 2008-2010 |
INVITED PARTICIPATION IN CURATED EXHIBITIONS (Selected)
2017 | The Posada Adventure, participatory projection performance commissioned by and performed at the 2017 Vértice Festival. | |
Animated Resistance, new project performance commissioned by and performed at Swarthmore College. Swarthmore, PA, USA (April, 2017) | ||
2016 | Statuevision NYC, new public participatory projection performance for the 2016 Kickstarter Summer Festival. Kickstarter Inc. (commissioner), Fort Greene Park, Brooklyn, NY, USA (Jul 30, 2016) | |
Dranimate, featured during the Vice President of Research Rita Sallam’s keynote presentation at the 2016 Gartner Business Intelligence & Analytics Summit. Two new Dranimate animations were commissioned for the summit, in addition to an existing documentation video. | ||
2015 | The Gutless Warrior, public projection performance co-authored with Jenny Schmid Curated by the Northern Spark Festival Walker Art Center, Minneapolis MN, USA (Jun 13, 2015) | |
Dancing with Ruby, commissioned by Creative Capital in honor of founding director Ruby Lerner’s upcoming retirement. Manny Cantor Center, NYC, USA (Oct 17, 2015) | ||
Dranimate, exhibited at the Future of Storytelling conference’s Story Arcade Snug Harbor, Staten Island NY, USA (Oct 5-6, 2015) | ||
2014 | The Gutless Warrior, public projection performance co-authored with Jenny Schmid Commissioned by Carnegie Mellon University’s DRAW 2014 symposium Artist Image Resource, Pittsburgh PA, USA (Mar 1, 2014) | |
The Gutless Warrior, public projection performance co-authored with Jenny Schmid Presented at the Lawrence Free Festival Main Street, Lawrence KS, USA (Jun 27-28, 2014) | ||
Statuevision, public projection performance Commissioned by 5x5 Near Futures, a contemporary art biennial | ||
telepuppet.tv, public projection performance a co-authored with Nima Dehghani Commissioned by Connecting Cities, a European Commission project MediaLab Prado, Madrid, Spain (Sep 27, 2014) iMal, Brussels, Belgium (October 7, 2014) FACT, Liverpool, UK (October 2, 2014) | ||
2013 | Human Use of Human Being, robotic installation co-authored with Robin Meier Commissioned by Maison des arts de Créteil (MAC) Festival VIA, Maubeuge, France (Mar 14 -24, 2013) | |
Truce, live mosquito and computer installation co-authored with Robin Meier Exhibited at Sonica curated by Cathie Boyd, Patrick Dickie and Graham McKenzie Center for Contemporary Art, Glasgow, Scotland (Oct 31 October – Nov 3, 2013) | ||
2012 | Time Machine, a permanent living video archive for a living museum Commissioned by the Harpo Foundation Elsewhere, Greensboro NC, USA (Aug 17, 2012) | |
Animal Warmth (64), light and sound installation Curated by Ann Albano Sculpture Center, Cleveland OH, USA (Nov 9 - Dec 21, 2012) | ||
If The Lion Could Speak, augmented bee-hive installation co-authored with Robin Meier; Commissioned by Loire Atlantique, curated by Virginie Bourget Exhibited as part of Une Mouche dans la Tête Domain de la Garenne Lemot, Clisson, France (May 10-Oct 14, 2012) | ||
Department of Smoke and Mirrors, video sculpture co-authored with Jenny Schmid, Commissioned by Davis Museum, curated by Lisa Fischman | ||
A Tentative Call to the Other, sound installation co-authored with Robin Meier Exhibited Curated by Ish Sherawat’s Sound Reason Festival, New Delhi, India (Nov 7-13, 2012) | ||
Smoke and Hot Air, kinetic installation co-authored with Robin Mandel Exhibited as part of Musrara Mix 12, curated by Saron Paz and Sharon Horodi Musrara School, Jerusalem, Israel (May 30-Jun 5, 2012) | ||
Smoke and Hot Air, Before I Die and Animal Warmth (#28, The Time is Now) Exhibited in “Narrative, Mechanism, and the Digital Thread” curated by Erika Leppman Schneider Museum of Art, Ashlan OR, USA (Mar 16 - Apr 28, 2012) | ||
Dream Interpretations, participatory architectural projection performance Center for Visual Art at Southern Oregon University in Ashland OR, USA (Mar 15, 2012) | ||
2011 | Le Musée Itinerant, a live projection performance co-authored with David Bithell Commissioned by Lyndel King Weisman Art Museum, Minneapolis MN, USA (Jun 6, 2011) | |
Women’s Desert Liberation Front co-authored with Jenny Schmid, Exhibited at New Media Arts 2011, juried by DJ Spooky 2011 Washington Project, Washington DC, USA (Feb 17, 2011) Exhibited at Philagrafika The Graphic Unconscious Print Center in Philadelphia, USA (Feb, 2011) | ||
plis/replis, commissioned large scale installation in collaboration with Robin Meier Exhibited as part of "Expérience Pommery #9: La Fabrique Sonore" curated by Claire Staebler and Charles Carcopino Domaine Pommery, Reims, France (Sep 23, 2011-Aug 20, 2012) | ||
The Tragedy of the Commons augmented leaf-cutter ant colony installation co-authored Robin Meier, curated by Marc-Olivier Wahler Palais de Tokyo, Paris, France (Jul 7-Sep, 2011) The Battle of Everyouth, public projection performance co-authored with Jenny Schmid, in collaboration with students from Washburn High School Commissioned by The Joyce Foundation and Northern Spark Minneapolis Institute of Art, Minneapolis MN, USA (Jun 4, 2011) THE MOURNERS: Music from the Courts of the Burgundian Dukes, Live projection performance accompanying the Rose Ensemble Basilica of Saint Mary, Minneapolis MN, USA (Feb 18-19, 2011) | ||
Seaworthy, public projection performance Commissioned by the UMN Institute for Advanced Studies Northrop Hall Facade, Minneapolis MN, USA (Mar 9, 2011) | ||
2010 | Animal Warmth #12, augmented natural history diorama exhibition Commissioned by the Bell Museum of Natural History Bell Museum of Natural History, Minneapolis MN, USA (Dec 9, 2010) | |
Truce, live mosquito and computer installation co-authored with Robin Meier Exhibited at Dynasty curated by Marc-Olivier Wahler Palais de Tokyo, Paris, France (Jun 10-Sep 5, 2010) | ||
Serenity and Serendipity, sound-installation co-authored with Robin Meier Curated by Jose Manuel Lopez Lopez Auditorio Nacional de Música, Madrid, Spain (Jun, 2010) | ||
Smoke and Hot Air, kinetic-installation co-authored with Robin Mandel Exhibition at FeedForward/Angel of History curated by Steve Dietz and Christian Paul Laboral Centro de Arte y Creación Industrial in Gijon, Spain (Oct 10, 2009-Apr. 5, 2010) | ||
Mini-disasters at the Grand Fork, live projection installation University of North Dakota, Grand Forks ND, USA (Apr 2010) | ||
A Tentative Call to the Other, sound installation co-authored with Robin Meier Exhibited at Dynasty curated by curated by Fabrice Hergott and Angeline Scherf Musée d'Art Moderne, Paris, France (Jun 10-Sep 5, 2010) | ||
Paraguay, live-cinema performance co-authored with David Bithell Commissioned by the Ammerman Center for Art and Technology Connecticut College, New London, USA (Feb 9, 2010) | ||
Exquisite Corpse/Lavish Martyr public projection performance Commissioned by ZERO 1 New Media Biennial curated by Steve Dietz San Jose, USA (Sep 16-19, 2010) | ||
2009 | Truce, live mosquito and computer installation co-authored with Robin Meier Exhibited at SIGGRAPH in Yokohama, Japan (Dec 17-19, 2009) Exhibited at Spark Festival in Minneapolis MN, USA (Feb 18-20, 2009) | |
2008 | What Paint Doesn't, public projection performance For Air, For Water, public projection performance co-authored with Da Wei Xu Wall Whisperer, public projection performance Beijing Film Academy, Beijing, China (Sep 2008) | |
Animal Warmth (#28, The Time is Now), generative light installation Exhibited at Almost Cinema curated by Eva De Groote Vooruit, Gent, Belgium (Oct 3-16, 2008) | ||
Table Setting co-authored with David Bithell Exhibited at Almost Cinema curated by Eva De Groote Vooruit, Gent, Belgium (Oct 14, 2008) | ||
Smoke and Hot Air, kinetic-installation co-authored with Robin Mandel Exhibited at Almost Cinema curated by Eva De Groote Vooruit, Gent, Belgium (Oct 3-16, 2008) | ||
Eyes and Ears and the Truth Itself (No People Allowed), public projection performance co-authored with Jenny Schmid Exhibited at GM8: Pay Attention curated by Christopher Pole and Patricia McMeans Soap Factory, Minneapolis MN, USA (Sep 13-Oct 26, 2008) | ||
2006 | What You Say, How You Say It, interactive sound installation Exhibited at Listen curated by Pamela Winfrey Exploratorium, San Francisco, USA (Oct 21, 2006 - 2008) | |
Net Derive in collaboration with Atau Tanaka and Petra Gemeinboeck Exhibited at at Maison Rouge, Paris, France (Oct 2006) | ||
2005 | Takemitsu: My Way of Life, live electronics accompaniment to opera In collaboration with Kent Nagano, Peter Musbach and the Berlin Opera Company Théâtre du Châtelet in Paris, France (Oct 2005) Bunka Kaikan, Tokyo, Japan (Nov 2005) | |
Preset 153, live audio-visual installation co-authored with Lorenzo Bianchi Exhibited at Cité Université, Paris, France (Mar 10, 2005) | ||
An[tic], live video installation Exhibited at the International Symposium for Electronic Arts (ISEA) Cité Université, Paris, France (Dec 2005) | ||
Frelia, interactive sound sculpture co-authored with Robin Mandel Commissioned by the International Computer Music Conference (ICMC) Exhibited at Pixilerations at Rhode Island School of Design, Providence, USA (Nov 9-11 2005) Exhibited at Universitat Pompeu Fabra, Barcelona, Spain (Sep 5-9, 2005) | ||
iPerg: Epidemic Menace, interactive sound design for pervasive game Exhibited Fraunhofer Institute, Munich, Germany (June 2005) | ||
2004 | Vaishnava Janeto, permanent interactive sound installation Produced by Ranjit Makkuni and Sacred World Research Labs Eternal Gandhi Multimedia Museum, New Delhi, India (May 2004-present) |
Momeni, Ali and Daniel McNamara. “MOD: A Portable Instrument for Mixing Analog and Digital Drawing for Live Cinema,” Proceedings of the Tangible Embedded Interactions Conference. Stockholm, 2018.
E. A. Cappo, Z. Rispoli, N. Dehghani, D. Mitchell, A. Momeni, and N. Michael. "Choreographing Theatrical Scenes for Aerial Robots through Keyframe Interpolation," in Artistically Skilled Robots Workshop at International Conference on Intelligent Robots and Systems, Dadjeon, Korea, October 2016.
Momeni, Ali and Anthony Tomasic, Sanjana Baldwa, Helen Hong, Rachel Jue, Mina Kim, Evan Metsky. “ArtBytes: A Mobile App for Mixing Art Appreciation with Art Creation,” accepted to “Involving the Crowd in Future Museum Experience Design” workshop at ACM Computer Human Interaction (CHI). San Jose, 2016.
Momeni, Ali and Zach Rispoli. “Dranimate: Paper Becomes Tablet, Drawing Becomes Animation,” interactivity demo accepted to ACM Computer Human Interaction (CHI). San Jose, 2016.
Xu, Ding, Ali Momeni and Erik Brockmeyer (2nd author). “MagPad: A Near Surface Augmented Reading System for Physical Paper and Smartphone Coupling,” demo presented at ACM Symposium on User Interface Software and Technology (UIST). Charlotte, 2015.
Momeni, Ali and Zach Rispoli. “Dranimate: Rapid real-time gestural rigging and control of animation,” demo presented at ACM Symposium on User Interface Software and Technology (UIST). Charlotte, 2015.
Momeni, Ali and Claire Hentschker. “Statuevision: Glasgow,” one-page paper accompanying an installation work exhibited at the ACM Creativity and Cognition conference. Glasgow, 2015.
Momeni, Ali and Claire Hentschker. “Statuevision: A participatory, collaborative, cross-generational, urban intervention with public monuments as primary content”. Proceedings of the International Symposium of Electronic Arts conference. Vancouver, 2015.
Momeni, Ali. “Caress: An Enactive Electro-acoustic Percussive Instrument for Caressing Sounds.” Proceedings of the New Interfaces for Musical Expression (NIME) Conference. Baton-Rouge, 2015.
Bullock, Jamie and Ali Momeni (co-author). “ml.lib: Robust, Cross-platform, Open-source Machine Learning for Max and Pure Data.” Proceedings of the New Interfaces for Musical Expression Conference (NIME). Baton-Rouge, 2015.
Momeni, Ali and Sinan Goknur. “Exquisite Corpse/Lavish Martyr (ECLM),” position paper presented at The User in Flux workshop held at the Computer Human Interaction Conference. Vancouver, 2011.
Coleman, Christopher and Ali Momeni (co-author). “Maxuino”. Proceedings of the File Conference. Sao Paolo, 2010.
Momeni, Ali and Cyrille Henry (co-author). “Dynamic Independent Mapping Layers”. Computer Music Journal, 30:1. 2005.
Tanaka, A., Ali Momeni (second author) and Nao Tokui. "Facilitating Collective Musical Creativity." In Proceedings for ACM Multimedia, Singapore. 2005.
Momeni, Ali, and David Wessel. "Characterizing and controlling musical material intuitively with geometric models." Proceedings of the 2003 conference on New Interfaces for Musical Expression. Montreal, 2003.
Wright, Matthew, Adrian Freed, and Ali Momeni (second author). "Opensoundcontrol: State of the art 2003." Proceedings of the 2003 conference on New interfaces for musical expression. Montreal, 2003.
Wright, Matthew, Ahm Lee, Ali Momeni (second author), Adrian Freed. "Managing Complexity with Explicit Mapping of Gestures to Sound Control with OSC". Proceedings of the International Computer Music Conference. Havana, Cuba. 2001.
Wright, Matthew, Amar Chaudhary, Adrian Freed, Sami Khoury, Ali Momeni (second author), Diemo Schwarz, David Wessel. An XML-based SDIF Stream Relationships Language, Proceedings of the International Computer Music Conference, Berlin, Germany. 2000.
Eyeo Festival Book 2011-2015, https://eyeo.wufoo.com/forms/q14qdaoz0yfrio0/
Pommery #9 – La Fabrique Sonore, exhibition catalog, Reims, France, 2012
Bauex Art Éditions - Front Cover, image of “plis/replis” exhibited, Reims, France, 2012
ZERO 1 New Media Biennial 2010 in San Jose, CA, 2010
Dynasty exhibition catalog, at Musée d’Art Moderne and Palais de Tokyo, Paris, France, 2010
Feed Forward: Angel of History exhibition catalog, at Laboral, Gijon, Spain, 2010
PALAIS / Magazine 12 by Robin Meier, Ali Momeni, Summer 2010
ZERO 1 New Media Biennial 2008 in San Jose, CA, 2008
A Manual for Urban Projection, co-authored with Stephanie Sherman
http://alimomeni.net: primary site cataloguing all creative and research activities
http://alimomeni.net/project/alib/: collection of real-time software modules for the Cycling ‘74 Max environment, for visual and musical applications
http://teach.alimomeni.net: comprehensive index of university level teaching with links to independent course websites with syllabi, teaching material and student works
http://artfab.art.cmu.edu: digital fabrication, physical computing and urban intervention laboratory within the School of Art at Carnegie Mellon University
http://maw.c-uir..org: primary site for public art collective, principal investigator with Minneapolis Art on Wheels (MAW) members, includes documentation of several hundred public projection outings as well as links to real-time software developed for malleable and rapid urban projection experiments; co-investigator with Chris Baker and members of MAW
http://c-uir.org: primary site for the Center for Urban Intervention Research, an umbrella for all creative activities focused on creative interventions into public spaces with technology
http://maxuino.org: middleware which allows artists and musicians working with Cycling ‘74 Max environment to connect with the popular Arduino physical computing platform co-authored with Christopher Coleman
http://github.com/cmuartfab/: code repository for Momeni’s lab; contributions include machine learning tools for musicians and artists, current research projects on immersive storytelling, interactive animation, gesture tracking with vision
Total since first year as tenure-track assistant professor: $1,816,115.
2017 | Tiny Fellowship: In collaboration with co-PI Aparna Wilder, grant and fellowship to investigate the use of the SocialVR Virtual Reality storytelling platform for increased family engagement for middle- and elementry-school students | |
Heinz Endowment: In collaboration with co-PI Aparna Wilder, grant to investigate the integration of the SocialVR Virtual Reality storytelling platform into Holy Family Academy’s workforce internship program ($60,000) | ||
New INC: Invited participation in the New Museum’s New INC incubator to pursue the development of an ed-tech startup around immersive storytelling and youth voice | ||
NSF EAGER: Maker Principal Investigator for grant to study “Enhancing Learning through Making by way of personalized content for animation and fabrication”. $240,568. | ||
UPMC Enterprise Co-Principal Investigator with George Loewenstein for grant to develop “A Device to investigate bowel activity using sound analysis”. $465,931. | ||
2016 | CMU Technology Transfer Office Gap Filling Fund grant for “SocialVR,” an accessible authoring and social experience tool for Virtual Reality storytelling. $25,000 | |
Grable Foundation Principal Investigator for grant ( for development of an integration plan for SocialVR (accessible authoring tool for Virtual Reality Storytelling). Project consists of development of examples and curricula for embedding SocialVR into Pittsburgh-area experiential learning settings including after-school programs and community engagement organizations. $10,000. | ||
Sprout Grant to support travel to London for presentation of SocialVR at the annual Mozilla Open Internet Festival, MozFest 2016. $1,500. | ||
Machine Learning for Artists and Designers, support from Carnegie Mellon’s Schools of Art and Architecture, the Human Computer Interaction institute, the Carnegie Institute for Technology, the School of Computer Science and the Frank-Ratchye STUDIO for Creative Inquiry (SFCI) to support a series of three hands-on workshops by leading developers of machine learning tools for creative applications. Workshops held at SFCI, and will culminate in the publication of a Manual for Creative Machine Learning. $4,400. | ||
CMU Technology Transfer Office Gap Filling Fund grant for “Dranimate,” an interactive software system for rapid and intuitive rigging and control of animations based on drawings. $25,000 | ||
NSF I-Corps Support for development of “Dranimate,” including membership to National Innovation Network, access to the Project Olympus incubator program, mentorship and $2,500. | ||
2015 | Berkman Faculty Development Grant Principal investigator for, “Shahnameh Remix,” a multimedia robotic and live animation opera. $8,000. | |
Studio for Creative Inquiry FRFAF Grant Principal investigator for “Shahnameh Remix,” a multimedia robotic and live animation opera. $6,000. | ||
SPROUT Hive Grant, Principal investigator for the “Blue Slide Laboratory,” a research project aimed at developing playful situated learning scenarios in urban playgrounds, using augmented reality mobile apps. $15,000. | ||
2014 | 5 x 5 Near Futures, Principal investigator for a commission of a new work; public projection project for the statues surrounding Dupont Circle in Washington DC. The 5 x 5 project is the largest temporary public art project in the District of Columbia. $15,000. | |
National Endowment for the Arts, Co-investigator with Jenny Schmid for commissioned adaptation of the Gutless Warrior for large scale outdoor projection as a part of Lawrence Art Center’s Free State Festival. $5,000. | ||
Connecting Cities Co-investigator with Nima Dehghani for commission for a new project entitled telepuppet.tv; a European funded project that will toured in Liverpool (FACT), Brussels (iMal, Nuite Blanche), and Madrid (MediaLab PradO) in September and October of 2014. Connecting Cities is a European and Worldwide expanding network building up connected infrastructures of media facades. $8,000. | ||
Carnegie Mellon University Integrative Design, Arts, and Technology (IDeATe) Co-investigator with Lawrence Shea for seed grant for the development of a public performance and a course within Expanded Theater. $50,000. | ||
2013 | Creative Capital Principal investigator for project entitled “The Center for Urban Intervention Research”; project includes publication of “A Manual for Urban Projection” and the establishment of the Center for Urban Intervention Research (CUIR) at Carnegie Mellon University. The 46 funded projects in 2013 were selected from a pool of more than 2,700 applicants. $50,000. | |
Carnegie Mellon University Co-investigator with Golan Levin for College of Fine Art grant for $5,000, Robotics Institute grant for $2,000, School of Art grant for $1,000 for execution of a workshop on OpenFrameworks and the Raspberry Pi embedded computing platform for the arts. $8,000. | ||
Carnegie Mellon University Co-investigator with Garth Zeglin for College of Fine Art grant for $2,000 and Department of Electrical and Computer Engineering grant for $2,000 for development of innovative teaching platforms for creative robotics. $4,000. | ||
2012 | Frank-Ratchye Fund for Art at the Frontier (FRFAF) Co-investigator with Joshua Bard for “Machine Robot Collaboration.” $6,500. | |
Berkmann Faculty Development Grant Principal investigator for, “A Manual for Mobile Projection,” a text for bringing urban projection to the masses. $5,000. | ||
2011 | Harpo Foundation Principal investigator for commission for a new work in collaboration with Elsewhere; design and implementation of real-time technologies and applied media for in-process storytelling and archiving that enabled virtual communication between on-site artists and participants. $7,000. | |
2010 | Joyce Award Co-investigator with Jenny Schmid for, for collaborative project with Minneapolis Institute of Arts 2010-2011, “Battle of Everyouth: Public Project Performance,” $50,000, with total project costs of $120,000. | |
Minnesota Futures Program Principal investigator for grant supporting a two-year project titled “Mobile Media for Everyday People: Bridging the Digital Physical Divide.” $250,000. | ||
University of Minnesota College of Liberal Arts Research Fellowship Principal investigator for dedicated to public projection performance. Semester sabbatical. | ||
National Endowment for the Humanities Co-investigator with PI Nabil Matar, Bill Beeman and Jeanne Kilde for grant supporting Bridging Cultures, an interdisciplinary conference on Islam and the Humanities, total project budget $130,000. | ||
Minnesota State Art Board Festival Grant Co-investigator with Steve Dietz for supporting the 2011 Northern Spark Festival,” a city-wide dusk-to-dawn art festival, total project budget $136,000. | ||
University of Minnesota Grant-in-Aid Principal investigator for supporting “Public Engagement Through Immersive Street Performance” research. $36,000. | ||
Imagine Fund Annual Arts & Humanities Faculty Award Principal investigator for for the “Liminal Surface: Interactive Table-top Musical Theater.” $3,000. | ||
Principal investigator for University of Minnesota Imagine Fund Special Events Grant supporting “Talae New Music Ensemble at the 2010 Spark Festival.” $5,000. | ||
2009 | University of Minnesota Imagine Fund Annual Arts & Humanities Faculty Award Principal investigator for supporting “Liminal Surface: Interactive Table-top Musical Theater.” $3,000. | |
CANDO Minneapolis Grant Co-investigator with Peter Haakon Thompson and Mike Hoyt for supporting community engagement with public projection events throughout South Minneapolis. $6,000. | ||
Mellon New Directions Fellowship University of Minnesota Nominee | ||
2008 | University of Minnesota Office of International Programs Institutional Partnership Grant, Principal investigator for grant supporting a two-year project titled “Cellular Phone Culture, Mobile Media and the Power of Location-Based Interactive Applications,” in partnership with Kitchen Budapest. $25,000, | |
University of Minnesota Institute for Advanced Studies Collaborative Research Grant Co-investigator with Jenny Schmid for supporting “Drawing, Animation, Projection and Kinetics.” $18,000. | ||
University of Minnesota Alexander Dubcek Fund Co-Investigator with Jenny Schmid for, supporting travel to Prague for a series of lectures and studio visits with local artists. $3,000. | ||
University of Minnesota Office of Information Technologies Small Grant, Principal investigator for “Support for Minneapolis Art on Wheels at 2009 ZERO 1 Festival,” $5,000. | ||
University of Minnesota Office of Information Technologies Instructional Equipment Grant, Principal investigator for supporting “Creative exposition and social engagement through mobile visualizations and sonification.” $35,000 | ||
University of Minnesota Center for Urban and Regional Affairs Principal-Investigator for research grant supporting Graduate Research Assistantship support for Minneapolis Art on Wheels. $8,216. | ||
McKnight Summer Research Fellowship Principal-Investigator for grant providing summer salary support to investigate outdoor mobile projection. $12,000. | ||
Microsoft New Faculty Fellowship, University of Minnesota Nominee. |
2018 | Princeton University, invited panelist at the Living at the Intersection Symposium (Princeton NJ, USA) | |
York University, invited speaker at the Symposium on Intermedial Storytelling and Performance (Toronto, Canada) | ||
2017 | Universidad Nacional Autónoma de México, invited lecture and workshop at the school of Art and Design (Mexico City, Mexico) | |
Queen Mary University of London, invited speaker for the Media Art and Technology program’s colloquiem series (London, UK) | ||
Google SPAN, invited speaker at the annual design-focused conference (Pittsburgh, PA) | ||
Media Architecture Summit 2016, presentation of work on a panel on smart media facades and urban intervention (Toronto, Canada) | ||
2016 | Stanford University, invited performance at March-Mattness, at Center for Computer Research in Music and Acoustics (Palo Alto CA, USA) | |
CalArts, invited lecture on research and teaching at CMU, for the “Media Tech Forum” organized by Professor Ajay Kapur (Valencia CA, USA) | ||
University of California Santa Barbara, invited lecture on “Lessons from Creative Collaborations in the Kingdom of Engineers and Economists” for Media Art and Technology (MAT) seminar series (Santa Barbara CA, USA) | ||
University of California San Diego, invited lecture and workshop “Urban Projection Practices” at the Design Lab (San Diego CA, USA) | ||
School of the Art Institute of Chicago, visiting artist lecture for class taught by Professor Maria Gaspar (Chicago IL, USA) | ||
Media Architecture Summit 2016, presentation of work on a panel on smart media facades and urban intervention (Toronto, Canada) | ||
University of Colorado, Boulder, visiting artist lecture at the ATLAS Institute, invited by Professor Michelle Ellsworth (Boulder CO, USA) | ||
University of Colorado, Boulder, visiting artist lecture in class taught by Professor Paul Miller--aka DJ Spooky (Boulder CO, USA) | ||
University of Pittsburgh, participation in Panel with composer/theorist and McArthur fellow George Lewis (Pittsburgh PA, USA) | ||
Northern Illinois University, Visiting Artist Lecture and Workshop on “Urban Projection” (Rockford IL, USA) | ||
2015 | New York University, lecture on creative works invited by Professor Natalie Jeremijenko (New York, USA) | |
2014 | Aalborg University Copenhagen, Lecture on interactive and musical works (Copenhagen, Denmark) | |
2013 | American Musicological Society, Lecture on musical works at the annual meeting (Pittsburgh, USA) | |
Glasgow Center for Contemporary Art, Lecture at the on “Truce,” exhibited at the 2013 Sonica Festival of Sound for the Visually Minded (Glasgow, Scotland) | ||
2012 | University of Maine, invited lecture, studio visits and master class (Portland ME, USA) | |
American Society of Landscape Architects, invited lecture on urban projection practices, organized by Jeff Schnabel, Architect and professor (Phoenix AZ, USA)) | ||
Southern Oregon University, Department of Art, lecture, studio visits and Performance as a part of the Visiting Artist (Ashland OR, USA) | ||
2011 | University of California Berkeley, invited lecture at Center for New Music and Audio Technologies (CNMAT) on creative works (Berkeley CA, USA) Anderson Ranch, Workshop on Animated Miniature Worlds (Snowmass CA, USA) | |
EYEO Festival, lecture on urban projection practices (Minneapolis MN, USA) | ||
Portland State University Department of Architecture, lecture on urban projection at international symposium on Urban Light Strategies (Portland OR, USA) | ||
University of Minnesota, Lecture on Iranian Contemporary art as a part of National Endowment for the Humanities sponsored conference titled Shared Spaces:Islam and the West in the Arts and Sciences (Minneapolis MN, USA) | ||
2010 | University of North Dakota, Lecture on Mobile Projection at Department of Art (Grand Forks ND, USA) | |
Carleton College, Lecture on mobile projection at Media Studies (Northfield MN, USA) | ||
Amermman Center for Art and Technology at Connecticut College, Lecture on my Liminal Surface project (New London MA, USA) | ||
Vooruit Art Center Physical Computing Workshop and Artist Lecture within “Almost Cinema” (Gent, Belgium) | ||
2009 | Townhouse Gallery, lecture on Minneapolis Art on Wheels and urban projection (Cairo, Egypt) | |
Intermedia Arts, lecture on Mobile Projection Practices at “Give & Take” event (Minneapolis MN, USA) | ||
Laboral Center for Contemporary Art, Panelist on Art and Democracy (Gijon, Spain) | ||
Anderson Ranch workshop on “Digital to Physical” co-taught with Robin Mandel(Snowmass CA, USA) | ||
2008 | New York University , Department of Photography, Lecture on creative works (New York NY, USA) The School of Fine Arts in Prague, lecture on creative work (Prague, Czech Republic) | |
Colby College, Department of Art, Lecture on Interactive Sculpture (Waterville ME, USA) | ||
Carleton College, Media Studies, Lecture on Mobile Projection (Northfield MN, USA) |
2016 | National Endowment for the Arts Media Arts Advisory Panel for Art Works, invited panel member for the category of creation and education based activities | |
Baltimore Light City Jury, invited jury panel member for commissioned works | ||
Paper review panel for ACM Creativity and Cognition Conference | ||
Associate Chair ACM Designing Interactive Systems (DIS) 2017 | ||
Headlands Center for the Arts, invited Nominator | ||
Baltimore Office of Promotion & The Arts (BOPA) , invited Juror | ||
2015 | Music Review panel for 2015 New Instruments for Musical Expression Conference | |
2011 | MN State Art Board Review Committee | |
2010 | Minnesota State Art Board, Artist Initiative Panelist | |
Musical Research Residency Program, Review Committee Institut de Recerche et Coordination Acoustique/Musique (Paris, France) | ||
2009 | Art Shanty Review Committee, 2009 | |
Musical Research Residency Program, Review Committee Institut de Recherche et Coordination Acoustique/Musique (Paris, France) |
Organization of Conferences, Symposia, Exhibitions and Festivals
Total since first year as tenure-track assistant professor: $176,400.
2017 | “Machine Learning for Artists, 3 of 3” two day immersive workshops by Parag Mital (CalArts, Kadenze)) applied machine learning for artists and musicians. Organized by Ali Momeni, in collaboration with the STUDIO for Creative Inquiry. $2,500 | |
2016 | “Machine Learning for Artists, 2 of 3” two day immersive workshops by Professor Rebecca Fiebrink (Goldsmith University) applied machine learning for artists and musicians. Organized by Ali Momeni, in collaboration with the STUDIO for Creative Inquiry. $2,500 | |
“Machine Learning for Artists, 1 of 3” one-day immersive workshops by Professor Doctor Nick Gillian (Google) on applied machine learning for artists and musicians. Organized by Ali Momeni, in collaboration with the STUDIO for Creative Inquiry. $1,000. | ||
“All Around Us,” an exhibition of art works created in admiration of living and preserved insects and their superpowers; Curated by Ali Momeni in collaboration with Murray Horne and Wood Street Galleries. $25,000. | ||
2015 | H3O // v003, collaboration with DRIFT PGH, outdoor large-scale projection exhibition held under the Veterans Bridge in Pittsburgh, PA for 300-400 audience members. Continued the expansion in scale and range of works, including more interactive and installation works, and significantly more ambitious live sound design. Exhibition included several installations, multi-media performances and video works. $2,500. | |
H3O // v002, collaboration with DRIFT PGH, outdoor large-scale projection exhibition held under the Veterans Bridge in Pittsburgh, PA for 200-300 audience members. Overhauled the Drift’s outdoor projection event to a larger scale with enhanced media technologies; engaged participation from Urban Intervention class students. Exhibition included several installations, multi-media performances and video works. $2,000. | ||
2013 | Creative Coding with OpenFrameworks and RaspberryPi workshop, co-directed with Golan Levin at the Studio for Creative Inquiry in October of 2013; 50-person weekend-long workshop and hackaton on advanced media applications with small affordable embedded computers. $5,000. | |
2011 | “MAW Night Light Challenge,” Program Director, working with the 2011 Northern Spark festival to curate an open call for 4-5 new projects focused on the theme of light and public spaces. Part of Northern Spark 2011 | |
2010 | Minneapolis Art on Wheels Artist in Residence Program, Artistic Director, international residency for eight artists producing mobile projection work in Minneapolis. The following residents were hosted: Mateusz Herczka and Pär Frid (Stockholm, Sweden) Bart Buch and Kyle Loven (Minneapolis, MN and Seattle, WA) Shanai Matteson and Colin Kloecker (Minneapolis, MN) Jared Nielsen (Los Angeles, CA) Aaron Marx (Minneapolis, MN) Pinar Yoldas (Durham, NC) Chris Coleman (Denver, CO) Jeff Crause (New York, NY) Karolina Sobecka (New York, NY) | |
Frames of Violence Symposium, organizer for “Visual Media and Violence” panel, held at Wilson Library (UMN), Winter 2010. Academic symposium including lectures and performances by 20 national and international artists and scholars . | ||
Spark Festival for Electronic Music and Art, Artistic Director, annual international festival at the University of Minnesota (Minneapolis, MN). $75,000 (2010), $35,000 (2009), $25,000 (2008). Spark 2010 Featured Artists, September-October 2010: Fred Frith (Oakland, CA), guitarist, composer, and improviser Furt (London, England), electronic duo Klaxon Gueule (Montreal, Canada), composer and performer duo Talea Ensemble (New York, NY), contemporary music ensemble The Friction Brothers (Chicago, IL), experimental music trio Patrick Flanagan - Jazari (Minneapolis, MN), robotic ensemble performer Paul Birken (Duluth, MN), hacker, composer, performer and sound artist Moe Espinoza--Drumcell--(Los Angeles, CA), beat maker Mikkel Meyer (Copehagen, Denmark), electronic musician Vidal and Vangelis Vargas--Acid Circus--(Los Angeles, CA), electro duo Vultures (London, England), noise artists Arlene Birt (Minneapolis, MN), new media artist Kyle Phillips (Minneapolis, MN), new media artist Tyler Stefanich (Minneapolis, MN), new media artist Tectonic Industries (Minneapolis, MN), new media artist team
Spark 2009 Featured Artists, February 2009: Wafaa Bilal (New York, NY), media artist Kanta Horio (Tokyo, Japan), electronic artist and musician Ray Lee (London, UK), sound artist UMFELD (Amsterdam, Netherlands), audiovisual duo Beijing Film Academy (Beijing, China), student artists The Studio for Electro-Instrumental Music [STEIM]: Robert van Heumen,Joel Ryan, and Taku Mizuta Lippit [DJ Sniff] (Amsterdam, Netherlands) David Wessel (Berkley, CA), laptop music pioneer POLE (Berlin, Germany), Dub/IDM Godfather Douglas Ewart (Minneapolis, MN), improvising musician Guerino Mazzola (Minneapolis, MN), free jazz pianist Spark 2008 Featured Artists, February 2009: Richard Devine (Los Angeles, CA), electronic musician Paul DeMarinis (Palo Alto, CA), media artist Iancu Dumitrescu (Bucuresti, Romania), contemporary composer and performer Simon Reynolds (New York, NY), musicologist Graffiti Research Lab (New York, NY), urban intervention collective | ||
Mobile Music Symposium, Co-chair with Sumanth Gopinath, held at Regis Art Center (UMN), Spring 2009. Academic Symposium with 15 national and international scholars contributing to the Oxford Mobile Music Handbook. Part of Minnesota Futures Grant. |
IDEATE: among approximately 20 core faculty in new interdisciplinary art/design program at Carnegie Mellon University
Emerging Media Masters, Management Committee: among approximately 8 core faculty in new new interdisciplinary art/design masters program at Carnegie Mellon University
College Council, Carnegie Mellon University, 2013-2015
Faculty Senate, Carnegie Mellon University, 2011-2013
Northrop Auditorium Renovation Technology Advisory Group, 2009-present
Weisman Target Collaborative Studio Director Search Committee, Fall 2010
Winton Chair Search Committee, Fall 2009
Weisman Expansion Advisory Committee, 2008
Collegiate Service and Intercollegiate Service
University of Minnesota College Assembly, Fall 2010
University of Minnesota Office of Information Technology Info-tech Review Committee: 2009-2010
Department/Unit Service
Carnegie Mellon School of Art: Head Search Committee, 2015-16.
Carnegie Mellon School of Art: Digital Arts Studio Committee, 2012-15
Carnegie Mellon School of Art: Marketing and Website committee, 2014-15
Carnegie Mellon School of Art: MFA Selection Committee, 2012-14
Art Department: BFA Review Committee, 2007-8, 2008-9
Art Department: Curriculum Committee, 2007-8, 2008-9
Art Department: Graduate Area Representative Committee, 2009-10
Art Department: International Programs, 2010-11
Art Department: Visiting Artist Committee, 2008-9, 2009-2010
Art Department: Ad-Hoc Website Committee (Chair), 2009-present
Collaborative Arts: Curriculum Committee, 2007-2009
LANGUAGE SKILLS
English: Speaking, Reading, Writing (native)
Farsi: Speaking, Reading, Writing (native)
French: Speaking, Reading (fluent)
Spanish: Speaking, Reading (fluent)
2017.12.25