ユーモアクラブより転載。
北広次郎エッセイ集 ミスターヨーロッパだより
第11号 『ロスチャイルドと音楽家の実像』音楽の表裏歴史 (その1) |
音楽界の狂気が凶器になった時代 第二世界次大戦中、かつて失われたユダヤ民族十種族の末裔で、ロスチャイルドの庇護を受けたということで結びついてるワルター マーラー トスカニーニ ロッシーニ メンデルスゾーンなどを次々パージ(追放)するため、ナチス党正会員になりヒットラーの寵愛を独占利用したのが「人を殺しても音楽を演奏したい」といって、ヒットラーによりナチスドイツの国家指揮者に任命されたカラヤンであった。 ナチスはメンデルスゾーンの立像も第二次世界次大戦直前に破壊し、全曲演奏禁止とさせた悲劇はそれだけではない。マーラーの親族も含め、ユダヤ系の多くの音楽関係者、芸術家の親族がアウシビッツ収容所に連行され、ガス室におしこめられて犠牲になった。その数はおびただしいのである。 父で指揮者のアーノルト・ロゼーとグスタフ・マーラーの妹であるユスチーヌ・マーラーを母に持つマーラーの姪アルマ・ロゼーも、収容所ではガス室の地獄に向かう仲間のユダヤ人行列の前で音楽隊指揮と得意のバイオリン演奏を命じられた。そして最後に自分自身も犠牲者になった。 国境陸族大陸民族達にはその歴史が忘れられない。 四方海洋孤島J民は、もともとホロコーストの意識も知識もなかった。それは年表羅列歴史からでは真実の姿の種は芽生えてこない。 音楽には力がある。だがきれい事ばかりではない。ベートーベンの葬送行進曲、バッハ、ハイドンの教会オラトリオミサ曲、神曲シベリウスのフィンランディヤ神曲などには、時代の悲痛な民族歴史がつまっている。 陸族大陸民族の葛藤、衝突、悲哀、悲劇 慰霊、鎮魂、哀愁、悲嘆、郷愁の歴史 その対極に、古代神話、民話、瞑想、憧憬、希望、賛美、思考、思想、感嘆、歓喜のこもごもな堆積が紀元前数千年、有史以来の、時空の帯の継承の中にれんめんととじ込もる。 魂のメロディ・リズム・和音と悲哀と叫喚もあることを、境陸族大陸民族は体験してきた。そこには地層が幾重にも厚く重なり化石もずっしり埋蔵されている。四方海洋孤島国ではその背景が読めない。 北が愛するシベリウス作曲の『フィンランディヤ』ではこんな声が聞こえてくる。 圧制の繋縛からの解放を、こいねがう積年の民族の願い雄叫び切迫感が圧縮されてる。厚い地層を感得する音楽は単なる感傷だけではない。 (人々は金融界のことばかりに目向けるが、ロスチャイルド250年を越す歴史において、西洋音楽の音楽家達は陰に陽にロスチャイルドとの関係史から切り離す事はできない。エンタテイメントディズニーランド、ハリウッド映画産業界、TV放送、新聞雑誌報道関係を見るまでもなく) ______________________________________ 【11月13日】第4回サロンコンサート、音楽芸術大使ロスチャイルドさんが熱唱 ★日本ラトビア音楽協会と在日ラトビア共和国大使館共催の第4回サロンコンサートが11月13日、ラトビア共和国大使館で行われた。 今回は先ずラトビア音楽にも造詣の深いピアニスト・北條陽子さんが登場、続いて英国から来日中のソプラノ歌手、シャルロット・ド・ロスチャイルドが風呂本佳苗さんのピアノ伴奏で熱唱した。 北條さんは、アルヴィツ・ジリンスキスの作品に続き、ゲオルグス・ペレーツィスの作品を演奏し、ラトビア人作曲家の奥深い世界を優れた音楽性と卓越したテクニックで見事に表現した。 ロスチャイルドさんは、自ら日本語と英語で名家・ロスチャイルド家に触れながら表情たっぷりに曲目解説を行い、前半、メンデルスゾーン、ロスチャイルドコレクション、ロッシーニに続いてラトビアの歌を歌い、後半は日本の名曲の数々を完璧な日本語で日本人歌手よりはるかに情感豊に歌い、聴衆を完全に魅了した。風呂本さんのピアノと完璧な呼吸の合致もあって、文字通り至福の時間。ラトビアの歌は、協会合唱団「ガイスマ」が練習中の作品が2曲歌われ、本当に嬉しいプレゼントになった。 今回も終演後、出演者・聴衆の心が完全に一つになって懇親・談笑の楽しい時間を過ごした。コンサートホールでは味わえない何とも贅沢な一夜で、ヴァイヴァルス大使もそれぞれの演奏を絶賛し、「本当に素晴らしいリサイタルだった。音楽協会に感謝したい」と快心の笑みが続いた。この日の演奏曲目は次の通リ。編集室 ______________________________________ Charlotte de Rothchild(CDR)は第二次世界大戦後、現代イスラエル国家を建国した「建国の父(実質王)」の息女であるが、ここで重要なことは、ロスチャイルド家の庇護と支援なくしては、現在日本人を含め世界の音楽家が演奏し聴衆ファンが聴いている西洋の著名な作曲家、演奏家、指揮者、交響楽団などの音楽芸術は生まれなかったということです。 第二次世界大戦中、ヒットラー率いるナチスドイツは、音楽を最大限外交国内外政治に利用しました。しかし作曲家にせよ、演奏家にせよ、指揮者にせよ、歴史的に、欧米音楽界はイスラエル(ユダヤ)系人が、2/3以上を占めていました。そのため、アウシュビッツ収容所で行われたガス室のホロコースト(大殺戮)の中には、多くのユダヤ系音楽家の家族も含まれるという悲劇が生まれました。ヒットラーの愛顧を得るために動くナチス御用音楽家と、ヒットラーに反目し追放される反ナチス音楽家と分かれました。 しかし戦後、その区別がつかなかったのは、四方海洋孤島国Jでした。西洋音楽は、民族の思想と歴史と国家社会と神の意味が含まれているケースが多い。特に交響楽・交響詩には、その意味では芸術性が高いものが多く、単なる感傷センチメントのみではないのです。 Charlotte de Rothchild(CDR)女史は、ソプラノ歌手であると同時に、ロスチャイルド家とかかわりの深い著名音楽家の歴史の研究家でもあります。CDR女史の父は、第二次大戦中の全ユダ民族代表として歩んで来た苦難の歴史の生き証人でした。昨年(2009年)他界しました。 CDR女史はイスラエル建国の父の娘として、ロスチャイルドファミリ-に結びついていた音楽家については、ロスチャイルファミリ-内の音楽の素養のあるメンバーならでは、知りえない事もあります。 四方海洋孤島国J民の西洋音楽の演奏者と聴衆は、楽器演奏の技術レベルと音と声の技巧と感情移入とかで、半面だけで聴き入るケースが多いが、音楽の聴き方のもうひとつの楽しみ方をもたないのは片手落ちでもったいない話です。その音楽の背後にある思想思考、歴史背景、民族性、至高性の理解を持っていて聴くのと、持たないで聴くは、半面落ちではないかと思うのです。
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「CDR 女史の経歴紹介とその歴史的ルーツの研究家」 『ロスチャイルド家と繋がっていた欧米音楽家一覧』 『ロスチャイルド家のファミリーコネクションのある欧米音楽家一覧』 (NHK 90分 ロスチャイルドパッションコンサートTV番組 放映) (音楽芸術親善大使シャルロッテ・ロスチャイルド女史 米、英、独、仏、伊、墺、日、韓、中国、カナダ、アルゼンチン、オーストラリヤ、フィリッピン等世界中で幅広くコンサート公演活動を行っている) ______________________________________ (英語版解説) (世界で活躍する音楽芸術大使シャルロッテ・ドゥ・ロスチャイルド女史) (父は現代イスラエル建国開祖者) (ロスチャイルド家と欧米音楽家関係史研究第一人者) (オーストリヤ ザルツブルグ音楽院卒 ロンドン王立音楽院卒) Charlotte de Rothschild studied at the Mozarteum in Salzburg, Austria and at the Royal College of Music in London. (オーストリヤ ザルツブルグ音楽院卒 ロンドン王立音楽院卒 ソプラノ歌手) She specialises in the recital and oratorio repertoire. She has a particularly interesting and unusual approach in tailoring her recital programmes to specific themes: the best known is the "Family Connections" programme in which all the songs are by composers who were either friends, teachers, or ancestors of her family during the last two hundred years. Charlotte has performed this all over the world. Some of the concerts took place in original Rothschild houses such as the Villa Ephrussi-Rothschild in the south of France, the Chateau de Ferrierres outside Paris and she presented this programme in the Rothschild-Palais in Frankfurt for Chancellor Kohl on the actual 250th anniversary. Her CD "Family Connections" has had world-wide success. Other themes presented in major concert halls or festivals are "Flower Songs" (arranged by the season), Women of the Old Testament" (with harpsichord and piano accompaniments) that she devised for the B'nai Brith Music Festival and "A Woman's Lot" (a humorous look at the passage of life) which she created for the National Federation of Women's Institute's 75th anniversary. Her first CD "Flowers, Dreams and Romance", based by Charlotte's ancestor, Mathilde de Rothschild, was released in Japan in 1991 by Toshiba-EMI and went to no. 1 in their charts. (東芝EMI出版) Charlotte also specialises in the voice and harp repertoire and has had many concert tours with the harpist Danielle Perrett in France, Hong Kong, South Korea, America and Japan. Ongaku no tomo invited her to record a CD of classical Japanese songs called “A Japanese Journey . Nihon no tabiji” . She is the first gai-jin to have recorded a complete CD of these a pioneer. As a result of her involvement in promoting the beauty of these songs, she took part in many concerts in the Japan 2001 Festival being held in the U.K., including concerts in the South Bank, St. John’s, Smith Square, and two solo recitals. A 20 minute arrangement of Kohsaku Yamada songs adapted by Yui Kakinuma was commissioned especially for Charlotte and the English Chamber Orchestra in a concert held at the Barbican. She also premiered this work in Prague Castle with a chamber orchestra. She devised and performed in a 90-minute television documentary for NHK TV called “Rothschild Passions”.(NHK 90分 ロスチャイルドパッションコンサートTV番組 放映) More recently she has had concerts in Mexico, Los Angeles, Boston, South Korea and Japan. Www.charlottederothschild.com CHARLOTTE de ROTHSCHILD soprano “Hers is a beautifully controlled, pure, lyrical voice whose clarity of diction and obvious empathy with the music and words that she sings render to her recording a special intimacy and charm…” MAINICHI DAILY NEWS, TOKYO CHARLOTTE SINGS IN 16 LANGUAGES! HER REPERTOIRE INCLUDES THEMED RECITALS: FAMILY CONNECTIONS CREATED FOR THE 250th ANNI- VERSARY OF THE ROTHSCHILD DYNASTY with songs by friends, teachers and relatives. FLOWER SONGS (by the season) AN ORIENTAL FEAST (inc. classical Japanese kakyoku and Korean songs) (ロスチャイルド発足250年記念祭)(毎日新聞) HARP & VOICE A WOMAN’S LOT A MAGICAL EVENING (19th & 20th Century British songs about Fairies, Elves, Evil Sprites, Leprechauns and other mystical creatures) EXTENSIVE ORATORIO AND ORCHESTRAL REPERTOIRE Charlotte de Rothschild REVIEWS "…she had a highly cultivated affinity with the genre of Lieder. Whether she is portraying Mussorgsky's whining child, a lover or a folk-singer, her intelligence as a performer always comes through. She sang some charmingly dignified songs by her ancestor Mathilde, which had a Mendelssohnian purity flavoured with some very subtle shifts of harmony." THE TIMES, LONDON (タイム紙ロンドン) "“In one of the most intriguing recordings of recent months, a present-day Rothschild sings works inscribed in her family’s volume…Charlotte de Rothschild, whose attractive voice has earned her a career as a recitalist and oratorio soloist, intersperses treasures from the family album among other works associated with home musicales - most notably, songs composed by her cigar-smoking ancestor Mathilde de Rothschild.” THE NEW YORKER (ニューヨーカー紙) “Charlotte de Rothschild has devoted much time in the way of special preparation and her admirable artistry enabled her to convey the depths of feeling below the surface of much of this fascinating repertoire. To select the finest, for they were all of a similar level of artistic merit, yet those by Ikuma Dan, Kohsaku Yamada and Tadanori Ohno, as well as the final more modern group, were uncommonly interesting. A very worthwhile and unusually successful evening.” MUSICAL OPINION MAGAZINE (音楽オピニオンマガジン) Charlotte and Danielle have been working together since 1993 and as such are one of the most successful voice and harp duos around. During the last decade they have had concert tours all over the world including in France, South Korea, Japan, the U.S.A. and the U.K. One of their specialities is presenting themed programmes which incorporate rare or little known repertoire. The best known world- wide is “Family Connections” (sometimes called A Rothschild Soiree) in which Charlotte presents her illustrious family’s musical history of the 19th and 20th Centuries. The majority of the songs were written originally for piano but have been skilfully adapted by Danielle to complement the intriguing story woven throughout the songs. Another theme they often are asked to do is “Flower Songs by the Season” (“A Seasonal Bouquet”). This idea came about because of Charlotte’s background as the grand-daughter of Lionel de Rothschild, the creator of Exbury, the famous rhododendron and azalea garden in Hampshire. She is a Director and actively involved in the day-to-day running whenever she is not on tour! The programme includes songs in many different languages and styles from Baroque to Modern. The popularity of this programme led to their being invited to create a programme around the celebrated English gardener Gertrude Jekyll, who possessed a fine mezzo voice as well as being talented with the trowel. Gardening and Architecture run hand in hand and they devised a charming recital based on the life of Sir John Soane that they performed in two of his properties; the Soane Museum and Pittshanger Manor. This incorporates music from around 1770 to 1830 and tells, amongst other anecdotes, of his friendship with Nancy Storace, the famous soprano who was Mozart’s original Susanna. Charlotte and Danielle are proud to present “An Oriental Feast”, a programme which includes kakyoku, songs in Japanese by Japanese composers setting their most famous poems in a classical Western manner, the Japanese equivalent of Lieder, Chanson or Art Song. One of the most evocative sounds is that of the thousand year old national instrument of Japan, the Koto, a 13 stringed instrument that is plucked making a very delicate sound much akin to the harp. Therefore it seemed only natural for Danielle to adapt the accompaniments for the modern harp. Last, but by no means least, Charlotte and Danielle have amassed a very extensive collection of delightful but relatively unknown compositions written specifically for the Harp & Voice from which they can tailor appropriate recital programmes. "An imaginatively varied programme in the recital by soprano Charlotte de Rothschild at the Purcell Room was distinguished by linguistic as well as vocal virtuosity." THE JEWISH CHRONICLE Page 2(ジューイッシュクロニクル) CHARLOTTE de ROTHSCHILD & DANIELLE PERRETT HARP & VOICE DUO SAMPLE HARP AND VOICE PROGRAMME Stay Time Awhile John Dowland Air par M. Mereau Philippe-Jacques Meyer Air de Sara L’Amante abandonee Johann Baptist Krumpholz Thou art the giddiest youth alive George Kiallmark Drei Gesange aus Lord Byron’s Hebraischen Gesangen Robert Schumann fur einen Singstimme mit begleitung der Harfe Op.95 Die Tochter Jephta’s An dem Mond Dem Helden Cinq melodies populaires Grecques Maurice Ravel arr. Salzedo Le reveil de la Mariee La-bas, vers l’eglise Quel galant m’est comparable Chanson des cueilleuses de lentisques Tout gai! INTERVAL Pres d’un berceau Henriette Renie Soneto a Cordoba Manuel de Falla La lettre du Jardinier Marcel Tournier A sa guitare Francis Poulenc From Cinq Chansons de Femme Philip Cannon La Bien Mariee La Bien Aimee Y Gwydd (The Weaver) arr. William Matthias Dafydd y Garreg Wen (David of the white rock) David Watkins Sumer is icumen in Charlotte and Danielle performing during their Min-on tour in Japan With her reputation as an international artist and after years of research, no-one is better placed than the soprano Charlotte de Rothschild to tell the unique story of the Rothschilds and their musical associations. This is the musical story of her family which started via the family’s founder Mayer Amschel Rothschild. Under his direction and genius, his five sons (hence the five arrows of the family crest) were sent to France, Germany, Austria, Italy and England to create the banking dynasty that has become so famous throughout Europe today. Charlotte is the latest scion of the family to immerse herself in the rich heritage of her forebears, acting both as chronicler and voice of her family history. She has put together a celebration of songs and a collection of delightful anecdotes and she takes the listener on an aural journey through the Rothschild musical vaults, including some previously unknown works by various famous composers. These were either friends, teachers or relatives, such as Liszt,Poulenc, Rossini, Mendelssohn, Chopin, and her ancestors, Meyerbeer and Mathilde de Rothschild. Some of this music was discovered in the form of a Livre d’Or - a musical autograph book, started in 1826 by a previous Charlotte de Rothschild, who obviously invited any composer who visited her to write either a song or piano piece into her book. The collection was added to by her daughter Mathilde and the book passed on through the female line, being added to well into the 20th Century by composers such as Bernstein, Hahn and Milhaud. Finding this musical autograph book was confirmation of Charlotte’s research over the years. Mathilde de Rothschild was a very talented composer who wrote beautiful songs. She was taught at the age of fifteen by Chopin, who was so impressed that even during his last illness, when he took few pupils, he found time for "the Rothschild girl". Her works were published by the major houses of Europe under her own name as "La Baronne Willy de Rothschild" or "Freifrau Willy von Rothschild" (she married a cousin). She was asked by many leading singers of the day to compose for them. Her most famous song "Si vous n'avez rien a me dire", also known as her "Romance", was the first of a set of five songs written for her friend Adelina Patti. The CD was released world-wide and is now available to download from various digital stores including CDBaby.com. CHARLOTTE de ROTHSCHILD FAMILY CONNECTIONS "Her new release, Family Connections,contains some exquisite songs by another Rothschild". BBC MUSIC MAGAZINE Page 3 BBC TV(英国BBCテレビ) FAMILY CONNECTIONS Auf Flugeln des Gesanges Felix Mendelssohn (1809-1847) The rare Flower Giacomo Meyerbeer (1791-1864) Smutka rzeka Frederic Chopin (1810-1849) Schmerzvergessen Mathilde de Rothschild My Lady sleeps (1832-1924) Canzonetta Jaques Halevy (1799-1862) Nachgefuhl Louis Spohr Rose, softly blooming (1784-1859) Canto d'Armida Luigi Cherubini (1760-1842) Mi lagnero tacendo Giacomo Rossini Pastorella delle Alpi (1792-1886) I N T E R V A L Du bist wie eine Blume Franz Liszt (1811-1886) Romance Mathilde de Rothschild Romance Magyar Les Papillons Romance Elias Parish Alvars (1808-1849) A Chloris Reynaldo Hahn Si mes vers avaient des ailes (1874-1947) A sa guitare Francis Poulenc (1899-1963) To daisies Samuel Barber (1910-1981) Orpheus with his lute Sir Arthur Sullivan (1842-1900) The composer Baronness Mathilde de Rothschild FLOWER SONGS SUMMER "Sumer is icumen in, lhude sing cuccu" (Anon) Have you seen but a whyte lilie grow? Ben Jonson/ When daisies pied Thomas Arne Where the bee sucks Die Lotosblume Robert Schumann Heidenroslein Franz Schubert Natsu no omoide Yoshinao Nakata Les Roses d'Ispahan Gabriel Faure Les Papillons Ernst Chausson Garden Medley arr. Stuart Calvert Summertime George Gershwin AUTUMN "Seasons of mists and mellow fruitfulness" (Keats) The last rose of Summer Friedrich von Flotow Aka tonbo Kohsaku Yamada Kanpyo Fumihiko Fukui INTERVAL WINTER "If Winter comes, can Spring be far behind?" (Shelley) Blow, blow, thou Winter wind Thomas Arne Schneeglockchen Robert Schumann Violets for your furs Matt Dennis SPRING "The flowers that bloom in the spring, tra la" (Gilbert) Das Veilchen Wolfgang Amadeus Mozart She moved through the Fair unaccompanied Trad. The lark in the clear air Phyllis Tate Where lilac blows Mathilde de Rothschild Romance We’ll gather lilacs Ivor Novello Scarborough Fair arr. David Watkins Sumer is I-cumen in CHARLOTTE DE ROTHSCHILD - SOPRANO, FLOWER SONGS BY THE SEASON “I was impressed by the clearness of her sensitivity to the words and her accuracy in grasping the meaning of the songs. This time she sang with even more richness of tone and her voice control, based on good singing technique was excellent. The voice seems to have an underlying strength showing to even better effect the expressed feelings and scenery.” ONGAKU NO TOMO MAGAZINE (音楽の友) "Flower Songs at Kew Gardens, a recital given by the soprano Charlotte de Rothschild, was an adept piece of programming. Miss de Rothschild possesses a beautifully refined tone and the gift of graceful characterisation. The programme featured an imaginative selection of songs for the seasons representing many different styles and eras." THE JEWISH CHRONICLE November 2009 visit to Tokyo AN ORIENTAL FEAST To-oku e ikkitai Hachidai Nakamura (1931-1992) Chin chin chidori Hidmaro Konoe (1898-1973) Sakura yoko cho Yoshinao Nakata (1923-2000) Hatsukoi Tatsunosuke Koshitani (1909-1982) Nobara Kohsaku Yamada Karatachi no hana (1886-1995) Tampopo Yoshinao Nakata Harp solo: Sakura Marcel Grandjany (1891-1975) Defune Haseo Sugiyama (1889-1952) Kayano kiyamo no Kohsaku Yamada Awate doko ya Kohsaku Yamada arr. Tomoko Iwakawa INTERVAL The Jade Mountain A night thought on Terrace Tower Edmund Rubbra On hearing her play the harp (1901-1991) An Autumn night message A song of the southern river Farewell to a Japanese Buddhist priest bound homeward Two Korean songs Peony Do Nan Cho arr. Ronn Branton Barley Field Yong Ha Yun arr. Ronn Branton Yoi machigusa Tadanori Ohno (1895-1930) Haru Ikuma Dan Higurashi (1924-2001) Narayama Kozaburo Hirai (1910-2002) Hayakuchi kotoba o Megumi Ohnaka (1924- ) CHARLOTTE DE ROTHSCHILD - SOPRANO, MASAHIRO SAITOH - PIANO NIHON NO TABIJI - A JAPANESE JOURNEY For further information “A Japanese Journey . Nihon no tabiji” reflects the fact that over the last ten years, I have spent many months touring Japan through all the varied seasons and have travelled to its many different areas. I have been lucky enough to glimpse the hidden Japan and to sense the true culture and history of the land. To an outsider, it might appear that a Japanese person will seldom show their real feelings but these songs must surely confirm their ability to have emotions, covering the wide range from a child’s simple wonder of a red dragonfly to the remembrance of a first love. As in the great Schubert songs, so these strophic kakyoku hide a depth of meaning and one has to peel away each layer of the poems and music to discover their inner core. An album of all-Japanese traditional songs is not an unusual thing for a Japanese artist to do in Japan but the fact that I am a gai-jin . A foreigner, may give them a different slant. I hope you enjoy listening to them as much as I enjoyed recording them with the help of the wonderful Masahiro Saitoh as accompanist.” “Upon hearing the very first song I was enthralled by Charlotte’s singing. Through her one can sense the style of the Taisho/Showa epoch… she conveys the very essence of the music. One wonders where she obtained such intimate feelings which seem, at times, stronger than those possessed by many contemporary Japanese. Japanese songs have delicate words and phrases and these are reflected by the natural beauty of her voice which catches the attention of the listener. I sincerely hope that this C.D. reaches out and moves audiences world-wide.” RYOHSUKE HATANAKA (Professor Emeritus of the Tokyo University of Fine Art and Music) "Miss de Rothschild's way of singing these Japanese songs shows a very good technique, pronunciation, grasp of harmony and attention to detail. She sings with all her heart and produces a lovely sound. I get the impression that she understands true Japanese feelings and she portrays so well the emotional atmosphere of pre-war Japan with this dramatically structured musical offering. This performance brings Japanese songs to an international audience. A truly wonderful atmosphere and an exceptional recording." THE RECORD GEIJUTSU MAGAZINE CDs: A JAPANESE JOURNEY with Masahiro Saitoh - Piano FAMILY CONNECTIONS with Malcolm Martineau - Piano CHARLECOTE PARK with David Watkins - Harp (National Trust Recording) FLOWERS, DREAMS, ROMANCE with Julius Drake - Piano ROSSINI Petite Messe Solonelle (rec. in Japan) Nagoya Castle at cherry time |