6058
Genre picture
Little Lidi[1] 1891
A young peasant girl, standing full length, wearing a white knitted coat, with a dark scarf tied crosswise around her, a lilac skirt and pink apron and small drop earrings, carrying a dark blue pitcher over each arm, her hands clasped at her waist, a brick wall and greenery just indicated behind her and vegetation at her feet
Oil on canvas, 41.3 x 27.3 cm (16 ¼ x 10 ¾ in.)
Inscribed top left: László F. / 1891
Magyar Nemzeti Galéria (Hungarian National Gallery), Budapest
Inventory no. 52065
In the early summer of 1891, having finished two terms at the Académie Julian in Paris, studying under Jules Joseph Lefebvre[2] and Jean-Joseph Benjamin Constant, [3] the young artist returned to Ó-Becse for the third time, to spend the summer there with his friend and patron, Dr Pál Grünbaum. For more about Dr Grünbaum and Ó-Becse see [11463].
De László’s time in Paris had markedly changed his style, revealing a greater sensitivity to tonal values. He was of course very familiar with the Parisian art scene, and particularly enjoyed visiting the collection of the Musée du Luxembourg. While his rural genre pictures, especially those featuring children, recall the work of Jules Bastien-Lepage,[4] which he must have known from both Munich and Paris, his memoirs and correspondence reveal that he was much inspired by Pascal Adolphe Jean Dagnan-Bouveret,[5] a leading artist known for his peasant scenes and mystical-religious compositions.[6]
The present picture is a seminal early work and shows the influence of Bastien-Lepage in its subject matter as well as in its technique. De László’s palette and such close attention to the plants in the foreground recalls Bastien-Lepage’s most famous picture, Haymaking,[7] and it can be assumed that de László was also familiar with his paintings of children, such as Poor Fauvette[8] and Going to School.[9] Bastien-Lepage was immensely popular during the last ten years of his life, his works were widely reproduced and a retrospective exhibition, organised shortly after his premature death in 1885, further increased his reputation.
Water-carrier children were a common sight in the Tisza area,[10] and de László painted and drew them on a number of occasions. The earliest instance was a drawing of Peasant Boys with a Tub [10934], followed by The Water-carrier Girl [9881], The First Washing Lesson from 1889 [11561] and Water-carrier Boys from 1891 [112075]. The present picture was the most successful of this group and reveals de László’s interest in and emerging talent for portraiture. The treatment of the figure owes something to Bastien-Lepage’s First Communion,[11] Nothing Doing[12] and The Beggar, [13] which were all likely sources of inspiration or de László at that time.
De László intended to present this painting to his friend Dr. Grünbaum as a wedding gift, on condition that it should be exhibited first. However it caught the eye of the Emperor Franz Josef at the Winter Exhibition of 1891 at the Hungarian Fine Art Society, Budapest and he purchased it for 180 Forint for his personal collection.[14]
A preparatory drawing for this picture [111706] includes several figures which were probably also early conceptions for the Water-carrier Boys [112075], painted during the same summer.
PROVENANCE:
The collection of Emperor Franz Josef from 1891/1892;
Purchased by the Hungarian National Gallery in 1917
EXHIBITED:
•Budapest, Hungarian Fine Art Society, Winter Exhibition, 1891/92, no. 329 (180 Ft)
•Műcsarnok, Budapest, Hungarian Fine Art Society Spring Exhibition and Retrospectives of Philip de László, Mihály Munkácsy, János Pentelei Molnár, Samu Petz and László Hűvös, 4 May - 30 June 1925 [Műcsarnok, Országos Magyar Képzőművészeti Társulat, Budapest, Tavaszi kiállítás és László Fülöp, Munkácsy Mihály, Pentelei Molnár János, valamit Petz Samu és Hűvös László összegyűjtött műveinek kiállítása, 1925. május 4 - június 30.], no. 50/b
LITERATURE:
•Pesti Napló, 13 December 1891, [page unknown]
•Óbecse és Vidéke, Ó-Becse, 20 December 1891, [page unknown]
•Derek Clifford, The Paintings of P.A. de Laszlo, London, 1969, ill. pl. 7
•DLA053-0146, letter from Mátyás Polákovits to de László, December 1891
BS 2013
[1] In Hungarian the painting is entitled “Lidike”
[2] (1836-1911) French figure painter
[3] (1845-1902) French orientalist painter
[4] (1848-1884) French naturalist painter
[5] (1852-1929) French naturalist painter, a close friend of Bastien-Lepage
[6] Rutter, Portrait of a Painter, London, 1939, p. 70 and also mentioned in a letter from de László to Elek Lippich, 6 July 1902, NSzL150-0126
[7] The picture was painted in 1877 and acquired by the French State for the Musée du Luxembourg in 1885, transferred to the Musée du Louvre in 1929. It currently hangs at the Musée d’Orsay.
[8] Pauvre Fauvette, 1881, Private collection
[9] Aller à L’école, 1882, Aberdeen Art Gallery and Museums
[10] Once called ‘the most Hungarian river’, irrigating the Great Plain, and on which Ó-Becse (now Bečej in Serbia ) is situated.
[11] La Communiante, 1875, Musée des Beaux-Arts, Tournai
[12] Pas Mèche, 1882, National Gallery of Scotland, Edinburgh
[13] Le Mendiant, 1880, Ny Carlberg Glyptotek, Copenhagen
[14] Article in Ó Becse és Vidéke, 20 December 1891, Dr.Grünbaum (who changed his surname to Galambos in 1904) was the editor-in-chief of this newspaper. 180 Forint was the equivalent of £15 or £928 in today’s money.