DLA123-0001 Transcription
NALDERA,
BROADSTAIRS.
Oct 13 19.14
Dear Mr. de László
(Hand can write [illegible] but shaky!) – I do believe it is because you dont want to paint my portrait [5361] at all that you keep putting me off?![1] – You perhaps dislike weird red hair & white faces, & prefer those sweet cow’s milk English ladies that one sees staring
[Page 2]
in their strength from the walls of the Academy! Alas! it is too bad of you, for there are people who think I should make at least a picture that [illegible deletion] not banal!? – Now if I were you – being a – man, I would say “D---- all these engagements – I have put this poor red haired lady off for a whole year & now I will do her –”!!
[Page 3]
I could come to London for a week next Monday 19th Oct. The end of November is very doubtful as I am going back to Paris the moment I can. Could you not under these circumstances alter a little you [sic] plans –? So – you did for me last year – you threw me over twice, so why now cannot you throw away other people for a week?! I really deserve it after all this waiting
[Page 4]
dont you think so? Make the lady who was to have the week of the 19th now have the week in November you would have given me – it seems very simple – if you really do want to immortalise my red head! & tigerly aspect!!! [sketch of a tiger].
As I have no photographs of the sketch [5359] – Do lend me yours & I will have it re-photographed. I am deprived of all and only have to look at Jacques Blanche’s portrait of 20 years ago.[2] A sweet Miss of
[Across the top of page 1]
no interest to anyone! [illegible words in French]!!!! Say if you can possibly manage 19 oct.
Yrs. [illegible]
Elinor Glyn
Editorial Note:
Elinor Glyn, née Sutherland; married name Mrs Clayton Glyn (1864-1943), British novelist and scriptwriter; for biographical notes, see [5361].
LR
12/11/2018
[1] In January and February of 1914, de László made a preparatory study [5359] for the portrait [5361], but the war broke out and the artist, overwhelmed with commissions to paint men leaving for the front, had been forced to postpone the painting of the portrait. The final version of the portrait [5361] was completed in London in December 1914.
[2] Jacques-Émile Blanche (1861-1942), French artist