Bibliography

Bateson, Gregory. “Style, Grace, and Information in Primitive Art.” In Documents of Contemporary Art: Systems, edited by Edward A. Shanken, 42 - 48.

Greenberg, Clement. “Modernist Painting.” Forum Lectures. Washington, D. C.: Voice of America, 1960.

Latour, Bruno. “Visualization and Cognition: Drawing Things Together.” In Knowledge and Society Studies in the Sociology of Culture Past and Present 6, 1 - 40, edited by H. Kuklick. Jai Press, 1986.

Manovich, Lev. An Archaeology of A Computer Screen. Germany: Kunstforum International, 1995.

McLuhan, Marshall. “The Medium is the Message.” In Understanding Media: The Extensions of Man. New York: McGraw-Hill, 1964.

Rosenberg, Harold. “The American Action Painters. Art News 51/8. Dec. 1952.

Turkle, Sherry. Alone Together: Why We Expect More from Technology and Less from Each Other. Cambridge, MA: Perseus Books, 2013.

Turkle, Sherry. Simulation and Its Discontents. Cambridge, MA: MIT, 2009.

Bibliography for Entangled (not discussed)

Anfam, David. Abstract Expressionism. London: Thames & Hudson, 2015. 62, 78, 81 - 82, 97, 142, 152.

Collingwood, R. G. The Principles of Art. London: Oxford, 1958.

Greenberg, Clement. “‘American-Type’ Painting.” Partisan Review 22 (Spring 1955): 179 - 96.

Kwastek, Katja. Aesthetics of Interaction in Digital Art. Cambridge, Mass.: MIT Press, 2015.

Polcari, Stephen. Abstract Expressionism and the Modern Experience. New York: Cambridge, 1991.Polcari, Stephen.

Tolstoy, Leo. What Is Art? trans. Alymer Maude (1899).

Utterback, Camille. “Entangled.” http://camilleutterback.com/projects/entangled/. Last accessed March 25, 2017.