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Pixelbending

Hampshire College, CS-222, Spring 2011

Professor Chris Perry (office hour signup)

Tuesdays and Thursdays 9am-11:50am, Adele Simmons Hall rm. 126

Description

With an affordable digital camera and simple editing software, anyone can be an image maker. But what does it take to be an image master? How does one take control over the images and films one makes rather than ceding it to the engineers of the software and hardware? This course is designed for students who seek mastery over the digital images they create, capture, edit, and/or distribute. The class will expose the foundational core that hides behind the interfaces of digital imaging and filmmaking technologies but which is crucial to using them with precision and finesse. Topics that may be covered include digital image representation, compression/decompression (codecs), frame rate changes, compositing, matting, tracking, color correction, color grading, and more. Prerequisite: an evaluation/passing grade from least one digital media production class (film, video, animation, photography)

Handouts

Course Information Sheet (requirements, expectations, etc)

Workshop 1 (1/27): digital image representation, foundations

Workshop 2 (2/1): compression

Workshop 3 (2/3): controlling values

Assignment 1 (due 2/8): putting it all together

Workshop 4 (2/8): basic mattes

Workshop 5 (2/10): noun prep

Assignment 2 (due 2/15): noun composite

Workshop 6 (2/15): matting 3 ways

Workshop 6b (2/17): matting 3x redux (updated 2/18)

Workshop 7 (2/22): time basics

Workshop 8 (2/24): H.264 and animating

Assignment 3 (due 3/1): animating time

Workshop 9 (3/1): basic tracking

Assignment 4 (due 3/10): put it together

Workshop 10 (3/3): dynamic re-lighting

Workshop 11 (3/8): AE 9 and 10

Workshop 12 (3/22): Color Basics

Workshop 13 (3/24): Chromakey

Workshop 14 (3/29): Cameras!

Assignment 5 (due 4/5): Chromakey

Workshop 15 (4/5): Primary Grading

Workshop 16 (4/7): Secondary Grading

Assignment 6 (due 4/14): Grading

Workshop 17 (4/12): Grading Grab Bag

Workshop 18 (4/14): Compressor

Assignment 7 (due 4/19 and 5/5): Final Assignment and Portfolio

Workshop 19 (4/19): Proposal Feedback

Workshop 20 (4/19): AE Foundation 1

Workshop 21 (4/21): AE Foundation 2

Workshop 22 (4/26): Exquisite Corpses

Workshop 23 (4/28): 2.5D

Readings

The Myth of Persistence of Vision Revisited (for 2/22)