111664

Mrs Frederick Lorenz Pratt, née Jeannie Jewett Williams 1928

Seated three-quarter length to the right in a gilt upholstered armchair, her head turned slightly and looking to the left, wearing a brocade patterned silk and organza dress, a long three stranded pearl necklace and pearl drop earrings, a Pekinese on her lap, her right arm by her side

Oil on canvas 133.5 x 94 cm (52 ½ x 37 in.)

Inscribed on lower right: de László / LONDON / 1928.

NPG Album 1927-1928, p. 19 Mrs. Pratt

Sitters’ Book II, opp. f. 60: Jeannie Williams Pratt / 19. June 1928.

Private Collection

In May 1928, the sitter travelled to Paris with her friend Mrs. John Marshall Slaton, who would be painted by de László the following year [7179]. She immediately wrote to the artist to arrange for sittings for a portrait in London in June.[1] She held the artist in high esteem, referring to him as “cher maitre [sic.]” in her letters. There exists another oil portrait of the sitter, painted in 1929, which remains in possession of the sitter’s family [6712]. There is also a drawing, made in preparation for the present portrait, which remained in the possession of the artist on his death [6714].

De László had previously painted the sitter’s sister-in-law, Mrs. Robert Livingston Fryer in 1923 [5290]. Other members of the Fryer family were also painted by de Laszlo, including the sitter’s nephew, Mr. Livingston Fryer [5281] and his wife [5283].

Jeannie Jewett Williams was born in 1868, daughter of Charles Howard Williams (1842-1909), a banker of Buffalo, New York, and his wife Emma Alice Jewett (1844-1909), daughter of a leading Buffalo industrialist.[2] Much of her childhood was spent in Europe, and it was there, in 1895, that Sir Hubert Herkomer saw her, a “brunette with an exquisite creamy complexion,” and asked permission to paint her portrait.[3] 

In 1907 she married Frederick Lorenz Pratt (1849-1922) at the Buffalo home of her parents at 690 Delaware Avenue. He was the eldest son of the Buffalo civic leader, banker and industrialist, Pascal Paoli Pratt and his wife Phoebe. There were no children of the marriage. After the death of both of her parents in 1909, the couple moved into their home, which had been designed by the famous firm of McKim, Mead & White in the 1890s. Mrs. Pratt became “a social luminary” both in the U.S. and on the Continent.[4] She was a member of the Daughters of the American Revolution, and served many times as President of the Board of Managers of Children’s Hospital, Buffalo, and on the boards of Buffalo General Hospital and the Society for the Prevention of Cruelty to Animals. In the aftermath of the First World War, she funded the restoration of the Cathedral St. Pierre de Roud, at Sens, France as well other parts of the village and the local museum.[5] 

Her husband died in 1922, leaving her a wealthy widow, though much of her fortune was lost in the crash of the U.S. stock market of 1929 and the ensuing Great Depression. After her house was confiscated by the City of Buffalo for back taxes, she moved to the Park Lane Hotel in Buffalo. It later became a meeting hall for Civil War and Spanish-American War veterans of the grand Army of the Republic.[6] 

The sitter died in 1949, and is buried in the Williams-Pratt Mausoleum in Forest Lawn Cemetery, Buffalo, New York.

PROVENANCE:

By descent in the family;

Offered for sale at Bonham’s, New York, 31 October 2012, lot 141;

Sold at Bonham’s, New York, 6 November 2013, lot 167;

Private Collection

Offered Christie's, London, 16 December 2021, lot 96

LITERATURE:         

DLA077-0154, letter from Mrs. Pratt to de László, 28 May 1928

MD 2013


[1] DLA077-0154, op. cit.

[2] A younger sister died aged two in 1874, and a younger brother died age 20 in 1894.

[3] “Types of Fair Women,” Munsey’s Magazine, Vol. XVI, No. 5 (February 1897), p. 581. The portrait was reproduced (somewhat poorly) in black-and-white on p. 580. See also The Richfield Daily, Richfield Springs, New York, 10 July 1896: “The portrait of Miss Williams, by Hubert Herkomer, attracted much attention at the Portrait Loan Exhibition, at the Academy of Design, New York, last season.”

[4] “A Pioneer Buffalo Family—XVII: Frederick Pratt’s Wife Set Pace in Fashions, Fine Living,” Buffalo Evening News, Thursday, 9 March 1961

[5] Ibid. She is also recorded in “Americans Save Old French Art,” The New York Times, 13 February 1927, as giving 130,000 francs for the repair of the façade of the hospital there, which had been damaged in 1882.

[6] Ibid.