I concluded that a beta copy is not in circulation on the Internet right now; the ones claiming to be beta are actually just the Japanese release. However, the Japanese Red and Green cause the syndrome. I downloaded the Red/Green Japanese version as well as the Red/Blue American version. I ran it through an audio editor and got these results for the American song:

Nothing too special here. The spikes are just beeps. However here is the Japanese version:

The frequencies are far more symmetrical and formal than before, but that still does not tell us much. The block-like repetitions are the areas where the bass plays. I have decided that the cause of the syndrome is not binaural beats or high frequencies, but isochronic tones. They fit the structure as I will show later. It is also worth mentioning that the tones can only be found when the bass plays, which is where isochronics are usually encrypted. Here is a close up of the structure of the Japanese song:

Each inconsistency is a beep. The infamous beeps at the beginning are responsible for this wave, but the beeps are NOT the source of the isochronic tones. Here we go even closer to the bass:

What you see here is in fact the isochronic tones. The little squiggles at the bottom are actually too low frequency for the human ear to hear. However the structured spikes can be heard. This makes up the bass of Lavender Town, and it also causes it’s psychoactivity. The human brain hears each spike as simply a continuous sound, and this subliminal repetition causes the brain to synchronize to the frequencies of these tones. However, we still do not know what exactly this frequency of tone does... Next I am going to try to find out how the tones were embedded so that I can isolate an isochronic that has the essential frequencies of Lavender Town without the excess noise and music. I believe that there were no suicides but that the tone is real. I also do not think that it was planted on purpose; I think that the coincidental pitch of the music as well as the low-quality MIDI file caused the isochronics to appear in the song. When the American version of Blue was released from the remake of Red and Green, they used the same notes but a different file format than MIDI to create the song, resulting in no tones in the American release.