ATCBE Study Materials
This resource I created (with the help of AI creating the tables) helped me prepare for the exam. This document is not a comprehensive guide of all you need to know but was helpful for me to see the categories of test content in table format. This document is in no order.
What I used to study:
605 Quizlet flash cards (found online): https://quizlet.com/884921411/atcbe-exam-flash-cards/
Another set of flashcards I found useful: https://quizlet.com/320200795/atcb-exam-flash-cards/?funnelUUID=53f870d5-a81a-4032-87db-9c0d2d5b8fba
Know Code governing Standards of Practice, Eligibility for and Regulation of Credentials, and Disciplinary Procedures: https://atcb.org/ethics-appeals-lp/code-of-ethics-conduct-and-disciplinary-procedures/
“Red Book” Study Guide (I purchased) by Laura Seftel and Barbara Faith Cooper
I can’t find a link online to share, I think they stopped making it.
Things I wish I had studied more:
Family art therapy assessments, Key concepts in research: reliability, validity, qualitative study, quantitative study, double blind, analyzing results, art based research, steps in a survey project, designing the questionnaire, ethnographic research.
AT assessments: Paper color, paper sizes, and media and the amount of media (e.g. 8 pack of markers) needed for the standardized assessments.
Psychoanalytic Approach
Defense mechanisms of the Ego
-automatic, unconscious strategies for reducing anxiety
-avoidance, denial, disassociation, Displacement, fantasy, identification, identification
with the aggressor, intellectualization, introjection, isolation of affect, projection,
rationalization, reaction formation, regression, repression, symbolism, undoing
🎨 DW WINNICOTT & OBJECT RELATIONS — What You Need to Know
🔑 Key Concepts:
Concept | Meaning |
Holding environment | A psychological space of safety and emotional containment, like a “good enough” caregiver provides. Art therapy sessions can become a holding environment. |
Transitional objects | Objects (like a blanket or toy) that help a child move from dependence to independence — in art therapy, this can be transitional images or materials. |
True self vs. False self | The “true self” is authentic; the “false self” is a defensive adaptation. Art can help access and express the true self. |
Play as healing | Creative play = essential for emotional development. Art = a symbolic form of play. |
🧠 Why This Might Show Up on the Exam:
🔁 Back to Your Study Question:
❓ “Do I need to know who developed the theories?”
✅ Just enough to connect the theory to clinical application.
🚫 Don’t memorize dates or obscure names.
💡 Memorize These Pairs (High-Yield):
Theorist | Theory | Key Concept |
Naumburg | Art Psychotherapy | Art = symbolic communication of the unconscious |
Kramer | Art as Therapy | Artmaking itself is healing |
Winnicott | Object Relations | Holding environment, transitional objects |
Freud | Psychoanalysis | Unconscious drives, free association |
Jung | Analytical psychology | Archetypes, mandalas, individuation |
Rogers | Humanistic | Unconditional positive regard, client-led process |
Bowlby | Attachment Theory | Secure base, early relationships |
Rubin | Integrative | Blending approaches based on client need |
🧠 Margaret Mahler’s Stages of Attachment
Theory: Separation–Individuation Process
Mahler focused on how infants develop a sense of self and separate emotionally from their caregivers.
Her theory is key in understanding attachment, autonomy, identity development, and what happens when this process is disrupted (e.g., in trauma or personality disorders).
🌱 Mahler’s Developmental Stages (Simplified for the ATCBE):
1. Normal Autistic Phase (Birth–1 month)
2. Symbiotic Phase (1–5 months)
🌳 SEPARATION–INDIVIDUATION STAGE (5–24+ months)
➡️ This is Mahler’s core focus.
Subphases:
Subphase | Age | What’s Happening |
Differentiation | ~5–10 months | Baby begins to look outward and differentiate self from caregiver (e.g., looking around during feeding) |
Practicing | ~10–16 months | Baby begins walking → physically explores world, but still emotionally tied to caregiver (emotional “refueling”) |
Rapprochement | ~16–24 months | Toddler becomes more aware of separateness → seeks closeness, may show clinginess, anger, or mood swings |
Object Constancy | ~2–3 years | Child internalizes caregiver as a stable presence even when they’re not there → this is key to emotional regulation and identity |
🧩 Why This Matters for Art Therapy:
“Which subphase involves alternating closeness and rejection of the caregiver?”
✅ Rapprochement
✅ Key Terms to Remember:
🧠 Mnemonic to Remember the Core Four Subphases:
D.P.R.O. = "Don't Push Real Objects"
Theorist | Theory/Approach | Key Concepts | Art Therapy Relevance |
Margaret Naumburg | Psychodynamic Art Therapy | Art reveals the unconscious; spontaneous image-making as expression of inner conflict | Therapist helps interpret symbolic content of the artwork |
Edith Kramer | Art as Therapy | The process of art-making is the therapy; sublimation through creativity | Less emphasis on analysis, more on development through structured art experiences |
D.W. Winnicott | Object Relations Theory | Holding environment, transitional objects, “good enough mother” | Art therapist provides emotional containment; materials may serve as transitional objects |
Donald Kuspit | Aesthetic Psychoanalysis | Art as self-realization and integration of fragmented parts | Focuses on symbolic and aesthetic development through creative expression |
Sigmund Freud | Classical Psychoanalysis | Unconscious conflict, repression, dreams, id/ego/superego | Art is a way to uncover and work through unconscious material |
Carl Jung | Analytical Psychology | Archetypes, collective unconscious, individuation | Art reveals universal symbols; mandalas, dreams, and myths often explored in art therapy |
Margaret Mahler | Separation-Individuation Theory | Normal stages of development: symbiosis → separation → individuation | Art can support boundary formation, identity development |
Carl Rogers | Person-Centered Therapy | Unconditional positive regard, empathy, congruence | Emphasizes non-directive, client-led art making in a safe, supportive environment |
Cathy Malchiodi | Trauma-Informed Art Therapy | Neuroscience + expressive arts to support trauma recovery | Use of safe, contained, sensory-based art experiences |
Janie Rhyne | Gestalt Art Therapy | Here-and-now awareness, integration of self | Clients process artwork experientially, focusing on the present moment |
Viktor Lowenfeld | Art Development Stages | Children’s art develops in predictable stages | Useful in assessment and age-appropriate interventions |
Aspect | Sigmund Freud | D.W. Winnicott |
Main Focus | Unconscious drives (especially sexual/aggressive); intrapsychic conflicts | Relational experiences, especially early caregiving |
Key Theory | Psychoanalysis — Behavior is shaped by unconscious drives/conflict between id/ego/superego | Object Relations — The self develops through early relationships with primary caregivers (“objects”) |
Therapeutic Tools | Interpretation of dreams, free association | Holding environment, transitional objects, play therapy |
View of the Therapist | Neutral “blank slate” for projection | Emotionally attuned, responsive “good enough mother” |
Relevance to Art Therapy | Understanding symbolic meaning and unconscious conflict in images | Creating a safe emotional container through the art process and therapist relationship |
When you see a question about a theorist:
That will help you eliminate wrong answers fast.
🔸 Separation–Individuation Theory (Margaret Mahler)
Developmental Stages of Art (Viktor Lowenfeld)
Theorist | Approach | Key Terms | In Practice |
Naumburg | Psychodynamic | Symbolism, unconscious, spontaneous art | Therapist helps interpret images |
Kramer | Art as Therapy | Sublimation, structured art | Healing through artmaking itself |
Winnicott | Object Relations | Holding environment, transitional object | Therapist = emotional container |
Freud | Psychoanalysis | Id/ego/superego, defense mechanisms | Interpret unconscious through art |
Jung | Analytical Psych | Archetypes, individuation | Explore symbols/mandalas |
Mahler | Developmental | Separation–individuation | Support identity, boundaries |
Rogers | Person-Centered | Empathy, congruence | Non-directive, client-led art |
Rhyne | Gestalt | Here-and-now, dialogue with art | Awareness through image interaction |
Malchiodi | Trauma-Informed | Safety, regulation, sensory-based | Structured, grounding art tasks |
Lowenfeld | Art Development | Scribbling to realism | Assess developmental norms |
LOWENFELD
Stage | Age Range | Characteristics | Therapeutic Considerations |
1. Scribble Stage | ~2–4 years | Random marks → controlled lines; kinesthetic enjoyment | Focus on sensory experience, freedom, and movement. No need for imagery. |
2. Preschematic Stage | ~4–7 years | First recognizable shapes (e.g. tadpole people); no spatial awareness | Use open-ended prompts. Explore identity, self-image, relationships. Expect symbolic distortions. |
3. Schematic Stage | ~7–9 years | Use of baseline, sky line; consistent symbols for objects (sun, house, etc.) | Ideal for structured tasks. Explore rules, emotions, family roles. Imagery becomes more intentional. |
4. Dawning Realism | ~9–12 years | Increasing detail; concern with accuracy and proportion; self-conscious | Be gentle with feedback. Help with frustration if realism doesn't match ability. Good time to explore self-esteem, peer issues. |
5. Pseudo-Naturalistic | ~12–14 years | Shading, perspective, realism attempts; critical of own work | Offer skill-building or symbolic art. Validate effort and support self-expression during identity formation. |
6. Decision Stage | ~14+ years | Individual style emerges or art drops off | Use abstract/symbolic work to explore existential themes, relationships, identity, and personal narrative. |
🛠️ HOW TO USE LOWENFELD IN CLINICAL PRACTICE
🔍 Assessment:
🎯 Treatment Planning:
⚠️ RED FLAGS to Watch For in Assessment
Issue | Possible Indicator |
Missing limbs/body parts | Trauma, dissociation, abuse |
Very flat or chaotic space | Developmental delay, disorganization |
Inappropriate for age | Emotional or cognitive delay |
Regressive imagery | Stress, trauma, or unmet needs |
Repeated violent images | Need to assess for aggression, exposure to violence |
Concept | Founder | Key Idea | Example | ATCBE Tip |
Classical Conditioning | Pavlov | Learn through association | Bell → Salivation | Know how triggers form; think trauma or sensory cues |
Operant Conditioning | Skinner | Behavior shaped by consequences | Reward → More behavior | Know reinforcement types; used in behavioral plans |
Stimulus–Response (S–R) | Watson | Behavior is a direct reaction | Loud noise → Flinch | Basis for behavioral theories |
Theorist / Approach | Theory Name | Key Concepts | Example | ATCBE Exam Tips |
Murray Bowen | Bowenian Family Therapy (Intergenerational) | - Differentiation of Self - Emotional Triangles - Multigenerational Transmission - Genograms | A teen’s anxiety is part of a triangle between mom, dad, and child. | Look for family history patterns, genogram use, or need for emotional distance with connection. |
Salvador Minuchin | Structural Family Therapy | - Family structure - Subsystems (e.g. parental, sibling) - Boundaries (rigid, diffuse, clear) - Hierarchies | A parent and child are enmeshed; therapist realigns boundaries and roles. | Look for terms like realignment, enmeshment, disengagement, and restructuring roles. |
Jay Haley / Cloe Madanes | Strategic Family Therapy | - Power and control - Directives (tasks) - Paradoxical interventions | Therapist tells teen to "keep arguing with your mom daily" → breaks pattern. | If the question mentions assigning a task or prescribing the symptom, it's strategic. |
Virginia Satir | Experiential Family Therapy | - Communication stances - Self-esteem - Sculpting - Emotions in the here-and-now | Family members pose like statues to show emotional roles. | Choose Satir if focus is on emotions, self-worth, and expressiveness. |
Carl Whitaker | Symbolic-Experiential Therapy | - Use of humor, confrontation - Therapist is actively involved - Focus on family creativity and symbolism | Therapist joins the family playfully and challenges absurd patterns. | Symbolism, play, and therapist joining the family system = Whitaker. |
Michael White / David Epston | Narrative Therapy | - Externalizing the problem - Re-authoring stories - "The person is not the problem" | "Depression is trying to control you — how can we fight back?" | If the client is naming the problem or rewriting their story, it’s Narrative. |
Steve de Shazer / Insoo Kim Berg | Solution-Focused Therapy | - Miracle question - Scaling questions - Exceptions to problems | "If your problem disappeared overnight, what would be different?" | Keywords: solution, exception, scaling, brief therapy, or future-focused. |
Monica McGoldrick | Multicultural Family Therapy / Genogram Work | - Cultural legacy - Ethnicity, class, immigration - Family life cycle | Exploring how grief shows up in a Latinx family’s patterns of silence. | Choose this when question mentions culture, religion, race, or transitions across generations. |
Freud psychosexual stages:
Oral- age 1
Anal- age 2
Phallic – ages 3-6
Latency- ages 6-11
Genital – age 11-12
-Line -Shape -Direction -Size -Texture -Color or Hue -Value or Tone
-Balance -Gradation -Repetition -contrast -Harmony -Dominance -Form -Unity
Theorist / Approach | Key Concepts | Clinical/Art-Therapy Relevance | ATCBE Tip | ||
Maria Salvini Palazzoli – Milan Systemic Family Therapy | Circular questioning; systemic patterns; focus on process not content | Use art-making to highlight and shift family feedback loops (e.g. drawing relational patterns) | Look for questions on reflecting interactions, interaction sequences | ||
Harville Hendrix – Imago Relationship Therapy | Couples use childhood relationship models; aim to transform conflicts into healing | Use dyadic art activities, drawing “inner child” images | If question focuses on early relational templates or couples secondary art directive, think Imago | ||
Hanna Kwiatkowska – Family Art Therapy | Art-based mapping of family roles and dynamics; joining children/adolescent world | Use family portrait prompts, sequencing lines of alliances/alliances in drawings | Choose when family art is used to map connectedness and discord | ||
Elinor Landgarten – Family Art Therapy | Sensory, systems-based assessments; each family unit member draws same directive | Compare each member’s drawing of “family tree” or “family rules” | Relevant when directive is replicated across all family members | ||
Deborah Linesch – Strategic/Experiential Family Art Therapy | Combines art, humor, paradox to shift family rigidity | Use art to disrupt patterns (e.g. each member draws inverse roles) | If rule- or structure-breaking art directive appears, think Linesch | ||
Shirley Riley – Expressive Family Therapy | Focuses on narrative, ritual, and story within family art media | Art ritual prompts (e.g. joint collage of family story) | Use when question describes storytelling through art as healing process | ||
Assessment Tool | Purpose / Method | Population / Use | |||
APTIA (Art‑Based Assessment) | Client-directed imagery, metaphor, discussion of artwork | Adult/adolescents; narrative, emotional themes | |||
APATA (American Psychiatric Art Therapy Association tools) | See art communication patterns, visual expression & psychosis | Psychiatric / inpatient populations | |||
Family Drawings: e.g. (apples-and-family, etc.) | Evaluate family representation, alliances, roles | Children & adolescents in family therapy | |||
DDS (Draw-a-Person Screening) | Projective personality indicators via figure drawing | Children/adolescents; developmental / emotional functioning | |||
HFD (House–Tree–Person Test) | Symbolic assessment of self, home life, growth | Children/adolescents | |||
Kinetic Family Drawing | Draw entire family doing activity; indicates roles, conflicts | Children 7–14; family dynamics | |||
HTP (House–Tree–Person formal) | Scoring standardized for various features (e.g. shading, omissions) | Children & adolescents; screening / projective | |||
DAS (Diagnostic Assessment of Art Skills) | Assess fine-motor and perceptual art skills | Children; developmental assessment | |||
Silver Drawing Test | Drawings have identifiers graded for perceptual-motor integration | Children | |||
PPAT (Person Picking an Apple from a Tree) | Structured directive to detect anxiety, aspiration, balance | Children / adolescents | |||
FEATS (Formal Elements Art Therapy Scale) | Scored elements: line quality, color, space, etc. Correlates with overall functioning | Adolescents/adult assessments | |||
ATCBE Tip: Know which are projective (HFD, KFD, House-Tree-Person, PPAT) versus skill-based (DAS, Silver).
🧠 B. Major Theoretical Approaches in Art Therapy
🔍 C. Child Developmental & Design Lists
Freud’s Psychosexual Stages: Oral → Anal → Phallic → Latency → Genital
Erikson’s Stages (Psychosocial):
Trust vs. Mistrust (0–1) → Autonomy vs. Shame (1–3) → Initiative vs. Guilt (3–6) → Industry vs. Inferiority (6–12) → Identity vs. Role Confusion (12–18) → Intimacy vs. Isolation (Young Adult) → Generativity vs. Stagnation (Adult) → Integrity vs. Despair (Older adult)
Piaget’s Cognitive Stages: Sensorimotor → Preoperational → Concrete Operational → Formal Operational
7 Elements of Design: Line, Shape, Value, Color, Texture, Space, Form
8 Principles of Design: Balance, Emphasis, Contrast, Movement, Pattern, Rhythm, Unity, Variety
🏁 Final Exam Prep Tips
Theorist | Theory / Model | Practical Application in Art Therapy |
Sigmund Freud | Psychodynamic / Psychoanalytic | Explore unconscious material through symbols & imagery |
Margaret Naumburg | Dynamically Oriented Art Therapy | Art = symbolic communication; used for free association |
Edith Kramer | Art as Therapy | Artmaking itself is curative; less interpretation |
Carl Rogers | Humanistic / Person-Centered | Client-led process; empathy and unconditional positive regard |
Viktor Frankl | Existential Therapy | Search for meaning through creative process |
Aaron Beck / Albert Ellis | Cognitive / Cognitive-Behavioral Therapy | Identify and change thought distortions via reframing in art |
Erik Erikson | Psychosocial Development | Understand stage-specific challenges (e.g. identity vs. confusion) |
Jean Piaget | Cognitive Development | Match directives to age/stage abilities |
Rhoda Kellogg | Developmental Art Theory | Scribbling → Shapes → Diagrams → Pictorial stages |
Hanna Kwiatkowska | Family Art Therapy | Family dynamics through joint artmaking |
Salvador Minuchin | Structural Family Therapy | Subsystems, roles, boundaries in family drawings |
Virginia Satir | Experiential Family Therapy | Express feelings, improve communication |
Assessment Tool | Purpose / What it Measures | Best For | Type |
HFD (House-Tree-Person) | Projective view of self, home, and environment | Children / Adolescents | Projective |
KFD (Kinetic Family Drawing) | Family dynamics, role clarity, emotional tone | Children (7–14) | Projective / Relational |
HTP (formal) | Adds scoring; assesses cognitive/emotional state | Clinical Populations | Standardized / Projective |
PPAT | Problem-solving, developmental level, emotional tone | Children / Adolescents | Projective |
FEATS | Formal scoring of visual elements | Teens / Adults | Standardized / Diagnostic |
DAS | Visual-motor & perceptual skills | Children | Developmental / Skills |
DDS | Figure drawing screening for psych diagnosis | Children / Teens | Projective |
Silver Drawing Test | Drawing for visual-perceptual development | Children | Developmental |
Family Drawing Series | Reveal family dynamics visually | All Ages | Projective / Relational |
APTIA / APATA | Advanced narrative-based assessments | Teens / Adults (Psychiatric) | Narrative / Symbolic |
Theoretical Group | Key Features | How to Recognize on the Test |
Psychodynamic | Symbolism, unconscious, inner conflict | Dreamlike images, therapist interprets meaning |
Cognitive | Thoughts → Feelings → Behavior | Reframing, thought bubbles, labeling distortions |
Behavioral / CBT | Behavior modification, conditioning, rewards | Token systems, skill rehearsal |
Humanistic | Empathy, growth, unconditional positive regard | Client-led, non-directive, validating |
Existential | Meaning-making, choice, mortality | Themes of purpose, spiritual or philosophical tone |
Developmental | Stages of growth in art or cognition | Use of scribble theory, matching tasks to age |
Family Systems | Roles, structure, boundaries, alliances | Family trees, diagrams, drawing “who helps whom” |
Solution-Focused | Brief therapy, future-focused, client strengths | Scaling, miracle question, finding exceptions |
ERIKSON PSYCHOSOCIAL STAGES
Stage | Age Range | Conflict / Task |
Trust vs. Mistrust | 0–1 years | Can I trust the world? |
Autonomy vs. Shame/Doubt | 1–3 years | Independence vs. self-doubt |
Initiative vs. Guilt | 3–6 years | Assertiveness vs. overcontrol |
Industry vs. Inferiority | 6–12 years | Mastery of tasks vs. failure |
Identity vs. Role Confusion | 12–18 years | Who am I? |
Intimacy vs. Isolation | Young Adult | Deep relationships vs. isolation |
Generativity vs. Stagnation | Middle Adult | Contribution vs. self-focus |
Integrity vs. Despair | Older Adult | Meaning in life or regret |
PIAGET COGNITIVE DEVELOPMENT STAGES
Stage | Age Range | Main Features |
Sensorimotor | 0–2 years | Object permanence, sensory exploration |
Preoperational | 2–7 years | Symbolic thought, egocentrism, no logic |
Concrete Operational | 7–11 years | Logical thinking, conservation, classification |
Formal Operational | 12+ years | Abstract thought, hypothesis testing |
Material | Therapeutic Use | Populations | Cautions / Notes |
Adhesives | Used in collage; supports integration, control, and planning. | Kids, trauma survivors | Check for non-toxic; watch for allergic reactions. |
Art Reproductions | Used for projection, discussion, and art appreciation. | All ages | Avoid copyrighted material; culturally sensitive use. |
Ceramics | Grounding; sensorimotor regulation; emotional expression. | Teens, adults, trauma | May require kiln; can be messy or frustrating for some. |
Collage Materials | Good for indirect expression; offers control & choice. | Children, trauma, dissociation | Pre-cut images may carry unconscious projections. |
Crafts & Jewelry | Useful for identity formation, sequencing, symbolic meaning. | Adolescents, family work | May be too structured; avoid small pieces with young children. |
Digital Art | Appeals to tech-savvy clients; non-messy, repeatable, identity play. | Adolescents, those with motor issues | Can be distancing if overused; assess tech literacy. |
Drawing Materials | Fundamental for expression; control vs. spontaneity based on media type. | All ages | Pencil (controlled), charcoal/oil pastel (less controlled). |
Found Objects | Use in assemblage; evokes memory, narrative, and meaning-making. | Adults, grief/loss clients | Must be safe, non-toxic, and meaningful to client. |
Photography | Encourages perspective-taking, memory, narrative; can be used for self-portrait | Teens, adults, trauma | Consent if using images of others; digital manipulation. |
Paint (wet media) | Encourages emotional release (especially fluid paints); less control. | Children, trauma, expressive work | Messy; may evoke anxiety in some; use smocks and safe paint. |
Printmaking | Structured yet creative; supports repetition, planning, identity themes. | Adolescents, schools | Time-consuming; requires setup/cleanup. |
Sculpture | 3D expression of internal states; tactile processing; containment. | Trauma, children, sensory clients | Material safety; can trigger frustration if motor control is limited. |
Textiles | Evokes comfort, sensory integration, and symbolic meaning (e.g. weaving). | Grief, trauma, older adults | Needle use or fiber shedding risks for certain clients. |
Woodworking | Empowerment; mastery and control; sequencing and motor planning. | Adolescents, group work, addiction | Tools safety; not ideal for impulsive/aggressive clients. |
Population | Key Considerations | Therapeutic Focus | Effective Art Approaches / Media | Exam Tip |
General Population | Broad needs; may include stress, life transitions, or preventative care. | Expression, self-discovery, resilience. | Drawing, painting, open-ended prompts. | Match treatment to developmental stage and presenting issue. |
Grief / Loss / Bereavement | May be complicated, delayed, or disenfranchised grief. | Meaning-making, honoring loss, containment. | Memory boxes, collage, timelines, symbols. | Use media that facilitates expression of absence and connection. |
LGBTQIAA | Identity, stigma, discrimination, safety, validation. | Empowerment, identity affirmation, safe space. | Identity-based prompts, self-portrait, collage, mixed media. | Use inclusive, affirming language; avoid assumptions. |
Dual Diagnosis (MI + Substance Use) | High complexity; relapse risk, trauma, emotional dysregulation. | Self-regulation, insight, coping, identity building. | Simple, structured art tasks; grounding materials like clay or marker. | Choose structured activities that avoid emotional flooding. |
BIPOC (Black, Indigenous, People of Color) | Historical/generational trauma, cultural values, racism. | Empowerment, cultural resilience, identity, safety. | Narrative art, ancestral imagery, culturally relevant symbols. | Honor cultural context—don’t universalize trauma or experience. |
Multicultural Families | Acculturation stress, generational conflict, differing worldviews. | Communication, roles, cultural validation. | Family mandalas, role-based drawings, genograms with art. | Don’t assume shared meaning across family members—clarify. |
Adoption | Attachment, identity, loss, unknowns about origins. | Integration of story, identity development, trust. | Lifebook projects, storybooks, container-making. | Explore themes of belonging, but pace based on attachment readiness. |
Intimate Partner Violence (IPV) | Trauma, shame, safety concerns, disempowerment. | Safety, boundaries, expression, re-empowerment. | Protective imagery, mask making, safe container imagery. | Avoid unstructured or emotionally flooding media early on. |
Military / Veterans | Hypervigilance, PTSD, moral injury, family disruption. | Re-integration, trust, trauma processing, identity. | Narrative art, mask making, sculpture (externalizing trauma). | Use structure and containment first—build toward trauma content. |
Religious / Spiritual | May be a source of strength or internalized conflict/shame. | Explore beliefs, values, spiritual resilience or injury. | Mandalas, ritual-based imagery, spiritual symbols. | Be respectful, client-led, and aware of belief-related taboos. |
Immigrants / Refugees | Trauma, loss of homeland, cultural displacement. | Identity, safety, belonging, cultural expression. | Mapping, journey images, flag or cultural symbol creation. | Use visual narrative to externalize story; use interpreters as needed. |
Housing Insecurity / Homelessness | Instability, trauma, lack of access, survival focus. | Safety, grounding, strengths, hope. | Portable materials, collage, container making, resource mapping. | Prioritize accessibility and empowerment; avoid re-traumatization. |
ATCBE Tips by Theme
Context | Key Considerations | Art Therapy Goals | Common Interventions | ATCBE Exam Tips |
Couples | Power dynamics, attachment, communication, conflict cycles, emotional safety. | Improve communication, rebuild trust, externalize conflict, explore emotional patterns. | Joint drawing, relationship timeline, two-sided dialogue images, container work. | Avoid "taking sides"; focus on relational patterns, not individual blame. |
Education (Schools, learning environments) | Developmental needs, peer influence, learning styles, behavior regulation, IEPs. | Emotional regulation, identity formation, social skills, self-expression. | Visual journals, art games, safe place imagery, self-portraits. | Be aware of mandated reporting, FERPA, and integrating art into educational goals. |
Families | Roles, structure, alliances, intergenerational patterns, cultural expectations. | Improve communication, clarify roles, strengthen connection, process trauma or transition. | Family sculpture, genograms, shared drawing, family mandala. | Use systems thinking: examine interaction patterns, not isolated behavior. |
Groups | Group dynamics, safety, inclusion, cohesion, boundaries, peer modeling. | Build social connection, reduce isolation, learn from others, collective expression. | Group mural, sequential drawing, role-based art, shared prompts. | Focus on group process (cohesion, norms, safety) as much as content. Observe how members respond to others' work. |
Individuals | Age, diagnosis, trauma history, goals, motivation, cultural context. | Insight, emotional regulation, self-expression, integration, goal setting. | Media exploration, personal symbols, timelines, narrative art. | Match media to need: calming for trauma, expressive for repression. Watch for over-interpretation—stay client-led. |
Systems / Organizations | Policies, culture, roles, team dynamics, burnout, communication barriers. | Clarify mission, improve morale, enhance communication, address systemic issues. | Organizational mandalas, value-based collage, metaphor drawing (e.g., “your team as an ecosystem”). | Think macro: You’re addressing culture, communication, and interpersonal systems, not clinical issues. |
🔍 ATCBE Strategy Reminders:
Would you like visual diagrams, a cheat sheet, or practice questions next?
FERPA stands for the Family Educational Rights and Privacy Act — a U.S. federal law that protects the privacy of student education records.
🔍 Key Points About FERPA:
Topic | Details |
Purpose | To give parents and eligible students rights to access and control the disclosure of educational records. |
Who It Applies To | Any school that receives federal funding (e.g., public schools, many private institutions). |
Rights Given by FERPA | 1. Right to access student records. |
When Students Control Their Own Records | At age 18 or when they enter a postsecondary institution (college/university), rights transfer from parents to the student (called an “eligible student”). |
When Records Can Be Shared Without Consent | - School officials with legitimate educational interest |
🎨 FERPA & Art Therapists in Schools
If you're practicing art therapy in a school, FERPA affects:
🧠 ATCBE Test Tip:
If you’re working in a school setting:
Would you like a comparison between FERPA vs. HIPAA next?
Here’s a quick comparison between FERPA and HIPAA, especially helpful for the ATCBE exam, where you need to know which privacy law applies in different settings.
📊 FERPA vs. HIPAA: Quick Reference Table
Feature | FERPA (Family Educational Rights and Privacy Act) | HIPAA (Health Insurance Portability and Accountability Act) |
Main Focus | Privacy of education records | Privacy of health information (medical/mental health) |
Applies To | Schools that receive federal funding (K–12, colleges) | Health care providers, insurance companies, and clearinghouses |
Covers | Student education records, including counseling/art therapy notes kept by school staff | Protected health information (PHI) — diagnoses, treatment, billing, etc. |
Examples | Report cards, IEPs, therapy notes (if stored by school), student artwork with identifiers | Medical records, psychotherapy notes, lab results, billing info |
Who Has Rights? | Parents (until student turns 18 or enters college), then students | The patient or their legal representative |
When Consent is Needed to Share | Before sharing educational info outside of school staff | Before sharing health info outside of care team |
When Consent is NOT Needed | - Health/safety emergency | - Emergency situations |
Which Law Applies in Schools? | FERPA always applies to student records in schools | HIPAA does NOT apply to school records covered by FERPA |
🎨 In Art Therapy Settings:
Setting | Law That Applies | Why It Matters |
Public School (K–12) | FERPA | Student records, including artwork and therapy notes, are protected under FERPA if stored by school. |
Private Practice / Clinic | HIPAA | Therapist must protect PHI and follow HIPAA’s privacy rules. |
College Counseling Center | FERPA or HIPAA (depends on funding and structure) | If the college gets federal funding and therapy is tied to education, FERPA applies. If clinic is separate, HIPAA may apply. |
✅ ATCBE Exam Tips:
Setting | Definition | Key Features & Art Therapy Considerations |
a. Community Mental Health | Local clinics offering low-cost or sliding-scale therapy | - Diverse clients (SES, culture)- Often trauma, severe mental illness- Collaboration with case managers- Emphasis on accessibility, social justice |
b. Corrections | Jails, prisons, or juvenile justice facilities | - Structured, secure environment- Issues of control, trust, trauma- Confidentiality is limited- Group art therapy common- Ethics: boundaries and safety paramount |
c. Inpatient Psychiatric Setting | Hospital-based short-term psychiatric care | - Acute mental health crises- Severe diagnoses (psychosis, suicidality)- Short stays = rapid assessment & stabilization- Art therapy = containment, expression, safety |
d. Intensive Outpatient Program (IOP) | Structured part-time care (e.g. 3–5 days/week) | - Step down from inpatient or PHP- Group-focused- Common for mood, substance use- Art therapy supports identity, reflection, coping |
e. Medical Setting | Hospitals, outpatient clinics, palliative/hospice care | - Works with patients with medical illnesses- Common: oncology, chronic illness, pain- Focus: quality of life, expression, end-of-life care- HIPAA applies, often short sessions |
f. Older Adult Care Setting | Nursing homes, assisted living, memory care units | - Dementia, grief, cognitive decline- Emphasis on sensory-based media- Process > product- May integrate reminiscence & life review themes |
g. Open Studio/Art Studio | Community-based, non-clinical or low-barrier art therapy setting | - Focus on creativity and autonomy- Therapist as facilitator, not director- Great for trauma, identity exploration, recovery- Emphasis on process and empowerment |
h. Partial Hospitalization Program (PHP) | Day treatment, 5+ hours/day, 5 days/week | - More intensive than IOP- Group-focused- Common diagnoses: eating disorders, mood, PTSD- Therapist must balance structure and expression |
i. Private Practice/Outpatient | Individual or group therapy in a private setting | - Flexible, client-led- Longer-term therapy- Commonly used for anxiety, depression, life transitions- Ethics: clear contracts, HIPAA, informed consent |
j. Residential Care | Live-in treatment, often long-term or rehab | - Adolescents, trauma, substance use, eating disorders- 24/7 care—art therapy is one part of integrated team- Strong boundaries and structure needed- Art therapy helps with internalization, safety |
k. School-Based Setting | Public or private K–12 schools | - Often under FERPA, not HIPAA- Common issues: bullying, IEPs, trauma, ADHD- Art can support emotional regulation and communication- Must navigate confidentiality with minors and parents |
l. Telehealth | Online sessions (individual or group) | - Requires clear informed consent and tech boundaries- Must be licensed in client’s state- Limitations in material access and nonverbal cues- Use adaptable media (e.g., drawing, collage, digital tools) |
✅ ATCBE Study Tips
Theory | Core Ideas | Art Therapy Applications | ATCBE Tip |
Attachment Theory | Early bonds with caregivers shape emotion regulation & relationships | Use art to explore relational dynamics, repair insecure attachment | Think: inner child, trust-building, family art genograms |
CBT / ACT / DBT | Thoughts affect feelings/behaviors (CBT); values-based action (ACT); emotional regulation (DBT) | Use cognitive distortions worksheets, emotion-regulation art (DBT chain analysis), mindfulness-based collage | Choose when the question involves skill-building or thinking errors |
Developmental Approaches | Development unfolds in stages (Piaget, Erikson); mismatch = problems | Match materials to age (e.g., sensory play for early stages, narrative work for teens) | Know Piaget/Erikson stages and age-appropriate media |
Ecotherapy / Environmental Approaches | Connection to nature promotes wellness | Natural materials, eco-art, land art, outdoor sessions | Watch for questions involving grief, climate anxiety, or sensory grounding |
Expressive Therapies Continuum (ETC) | A framework for understanding media use: Kinesthetic → Sensory → Perceptual → Affective → Cognitive → Symbolic → Creative | Guides media selection; e.g., clay = sensory/kinesthetic; narrative collage = symbolic | Key ATCBE model—know the media levels and how to choose them |
Family Systems Theory | Individuals are embedded in family systems; problems reflect system dysfunction | Family art assessments, joint drawings, genograms | Watch for questions about dynamics, triangulation, boundaries |
Feminist / Social Justice | Power, identity, intersectionality, advocacy in therapy | Identity-based work (zines, protest art, altars), addressing oppression through art | Use when question involves advocacy, equity, community work |
Humanistic (Adlerian, Gestalt, Existential, Transpersonal) | People are capable of growth; focus on meaning, potential, agency | Spontaneous art, process-focused sessions, client-led exploration | Use with open-ended prompts, dreams, spirituality, grief, or self-exploration |
Motivational Interviewing / SOC / TTM | People move through stages of change; therapy should match stage | Timeline art, decision art, values collage; affirm ambivalence | Useful for substance use, ambivalence, goal setting |
Psychodynamic (Psychoanalytic, Jungian, IFS) | Unconscious processes shape behavior; symbols reveal deeper meaning | Mandalas (Jung), active imagination, parts work (IFS), dreamwork | Use with symbolism, transference, inner conflict |
Positive Psychology | Focus on strengths, resilience, meaning, flow, gratitude | Gratitude journaling, legacy projects, strength-based self-portraits | Use when promoting well-being, hope, or celebrating strengths |
Solution-Focused Therapy | Focus on what works, solutions not problems, future-oriented | Best hopes drawing, miracle question art, strength-based art | Use when question emphasizes future goals, not insight |
Somatic Approaches | Trauma and emotion live in the body; movement/art help release | Body maps, movement-based art, sensory integration | Choose for trauma, dissociation, grounding |
Systems Theory | Everything is interconnected; change in one part affects the whole | Sociograms, network mapping, role art | Applies to communities, organizations, families |
Trauma-Informed Therapy | Prioritizes safety, empowerment, trust, choice, and collaboration | Controlled, sensory-safe materials; trauma narratives only when appropriate | Key ATCBE focus—match interventions to stability level; avoid retraumatization |
Top 5 to Know for ATCBE
Levels of the ETC
The ETC is organized into 4 main levels, sometimes with sublevels, that represent different ways people process information and express themselves through art:
Why is ETC Important?
Quick Tips for Exam:
ETC Level | Materials Associated | When to Apply | How It May Show Up on Test |
Kinesthetic | Large paint brushes, clay, finger paint, movement-based materials, heavy tools (rolling pins, large brushes) | Clients needing physical engagement, grounding, sensory-motor activation, or to release tension or anxiety | Scenario: Client needing to release trauma through movement; Choose kinesthetic activities |
Sensory | Textured paper, sand, fabric, finger paint, textured objects, watercolors | Clients who need tactile stimulation, sensory regulation, calming, or exploring physical sensations | Question about sensory regulation or calming techniques via art materials |
Perceptual | Drawing pencils, markers, collage materials, stamps, stencils | Clients working on structure, visual-spatial organization, and reality testing | Identify interventions focused on structure, boundaries, or perception organization |
Affective | Bright colors, soft pastels, bold materials, expressive brush strokes | Clients exploring emotions, expressing feelings, or working through emotional blocks | Question on facilitating emotional expression through art choices |
Cognitive | Detailed drawing tools, mixed media for planning, paper, collage, writing/drawing combination | Clients ready for problem-solving, planning, and reflection | Scenario requiring cognitive insight or structured problem-solving in art therapy |
Symbolic | Symbolic images, metaphoric materials, collage, storytelling art | Clients working on meaning-making, symbolism, metaphors, and narrative | Question about using symbolism to facilitate client insight or storytelling |
Creative | Open choice of materials allowing freedom | Clients integrating all levels for self-expression and growth | Test may ask about promoting integration and personal meaning through free creative art |
Task | What You Need to Know | Exam Tips/Examples |
Adapt interventions | Adjust activities to client's developmental, communication level, and learning style; ensure safety (non-toxic, no sharps) | Question about selecting safe materials or modifying interventions for kids, elderly, or clients with disabilities |
Apply interviewing skills | Use reflective listening, summarizing, and effective session closure techniques | Identify examples of good interviewing skills in scenarios or choose best closing statement |
Collaborate on treatment plan/goals | Work with clients to create and adjust goals and plans based on their evolving needs | Question on client-centered planning or modifying goals during treatment |
Conduct intake and evaluations | Complete biopsychosocial assessments, gather history, mental status, referral reasons, functioning levels | Scenario on what to assess during intake or ongoing evaluation |
Demonstrate empathy and validation | Show understanding, respect feelings, and acknowledge client experiences | Recognize empathic responses vs. invalidating statements |
Document communications | Accurately record client interactions, progress notes, and team communications | Choose best documentation practice or identify errors in progress notes |
Establish therapeutic relationship | Build rapport, trust, and safety with clients | Recognize techniques that foster strong therapeutic alliance |
Facilitate creative process | Know media/materials, art history concepts, introduce and pace art therapy, close sessions effectively | Scenario about choosing materials or ending session art process |
Manage group dynamics | Facilitate balanced participation, resolve conflicts, observe interactions | Identify group management strategies or responses to group conflict |
Observe/process art production | Note use of color, line, symbols, metaphors, and respond to risk indicators (violence, self-harm) | Question on interpreting artwork elements or appropriate clinician response |
Observe/respond to session dynamics | Monitor affect, behaviors, verbal/nonverbal cues, and interpersonal interactions | Pick up on nonverbal cues and their clinical implications |
Promote client understanding | Help clients see how art connects to feelings, thoughts, and goals | Example question about facilitating client insight or reflection |
Provide crisis intervention | Recognize crises, provide immediate support, and safety | Scenario requiring crisis response or referral |
Refer to other providers | Know when to connect clients to additional medical, mental health, or social services | Question about appropriate referrals or coordination of care |
Evaluate client progress | Regularly review treatment effectiveness and modify as needed | Recognize signs of progress or need for treatment change |
Understand DSM diagnoses | Be familiar with common mental health diagnoses and how they relate to treatment planning | Identify diagnoses relevant to case examples |
Use art therapy skills for expression | Use witnessing, intention setting, directives, and connecting symbols with personal and cultural meaning | Choose best directive or interpretation that encourages exploration and expression |
Material Type | Examples of Non-Toxic Options | Notes |
Paints | Tempera, water-based acrylics labeled “non-toxic” | Avoid solvent-based or oil-based paints |
Markers & Pens | Water-based markers (Crayola, Prang) | Avoid permanent markers with solvents |
Glue/Adhesives | White school glue (PVA), glue sticks labeled “non-toxic” | Avoid industrial glues or strong adhesives |
Clay & Modeling Materials | Air-dry clay (non-toxic), natural modeling clay | Avoid polymer clays with unknown safety |
Crayons & Colored Pencils | Standard crayons (Crayola), colored pencils labeled non-toxic | Avoid oil pastels or soft pastels that contain heavy metals |
Paper & Cardstock | Acid-free paper, construction paper | Generally safe |
Pastels | Soft pastels labeled non-toxic | Avoid oil pastels with solvents |
Other materials | Fabric, yarn, natural materials (feathers, leaves) | Be mindful of allergies |
Assessment | Purpose/Focus | Notes |
Belief Art Therapy Assessment (BATA) | Explore client beliefs and values through art | Used for insight into personal meaning |
Bird’s Nest Drawing (BND) | Assess emotional state and relational themes | Often used with children |
Bridge Drawing | Explore conflict resolution and problem-solving | Symbolic representation of overcoming obstacles |
Cognitive Art Therapy Assessment (CATA) | Evaluate cognitive functioning via art | Links cognitive abilities and artistic expression |
Diagnostic Drawing Series (DDS) | Series of drawings to assess emotional, cognitive, and psychological status | Standardized with scoring system |
Draw-A-Person-In-The-Rain (DAP) | Assesses emotional vulnerability and stress | Rain symbolizes stressors, DAP for self-image |
Draw-A-Story (DAS) | Narrative drawing to reveal unconscious material | Client tells a story about their drawing |
Face Stimulus Assessment (FSA) | Explore identity and emotional state via face drawings | Helps access feelings about self and others |
Formal Elements Art Therapy Scale (FEATS) | Quantitative measure of formal elements in drawings | Assesses factors like color, line, space, energy |
Kinetic Drawings: | (KFD, K-H-T-P, KSD) Family, House-Tree-Person, School drawings | Reveal family dynamics, self-perception, and social functioning |
Family Art Evaluation | Assess family relationships and dynamics | Often involves joint family drawings |
Levick Emotional and Cognitive Evaluation and Assessment Method (LECATA) | Evaluates emotional and cognitive integration | Comprehensive, includes analysis of art and verbal responses |
Mandala Assessment Research Instrument (MARI) | Mandala drawing assessment focused on emotional states | Uses symbolism and structure of mandalas |
Person Picking an Apple from a Tree (PPAT) | Analyzes motivation, goal setting, and self-efficacy | Symbolic action drawing |
Road Drawing | Explore life journey, challenges, and future goals | Metaphor for life’s path |
Silver Drawing Test (SDT) | Used mainly with children to assess trauma, stress, and emotional status | Uses storytelling about drawings |
How this might show up on the exam:
Quick tips:
Standardized Art Therapy Assessments
(Standardized means they have a specific administration protocol, scoring system, and norms for interpretation.)
Non-Standardized Art Therapy Assessments
(Non-standardized assessments are more flexible, qualitative, and interpretive without formal scoring.)
Absolutely! Here’s a breakdown of the Kinetic Family Drawing (KFD), Kinetic House-Tree-Person (K-H-T-P), and Kinetic School Drawing (KSD)—all related but with key differences:
1. Kinetic Family Drawing (KFD)
2. Kinetic House-Tree-Person (K-H-T-P)
3. Kinetic School Drawing (KSD)
Assessment | Subject(s) Drawn | Focus of Assessment | Key Feature |
Kinetic Family Drawing (KFD) | Family members in action | Family relationships and dynamics | Family members depicted doing activities |
Kinetic House-Tree-Person (K-H-T-P) | House, tree, person in action | Self-image, home life, growth, emotions | Core symbols drawn in motion |
Kinetic School Drawing (KSD) | School setting with people in action | School experiences, peer and authority relations | School environment and interactions depicted |
Let me know if you want tips on interpreting specific elements or common themes!
1. Kinetic Family Drawing (KFD)
2. Kinetic House-Tree-Person (K-H-T-P)
3. Kinetic School Drawing (KSD)
Family Art Evaluation
Kinetic Family Drawing (KFD)
When to choose which?
Clinical Situation | Best Assessment Choice | Why? |
Evaluating family dynamics through one client’s perception | Kinetic Family Drawing (KFD) | Focuses on individual’s view of family relationships and roles via drawing family members in action |
Evaluating family dynamics through multiple family members interacting or expressing themselves | Family Art Evaluation | Involves actual family participation, observing interaction patterns during art-making, and assessing family relationships as a system |
Supervision
1. Know Different Supervision Models
Supervision in art therapy means a more experienced therapist or supervisor guides, supports, and evaluates your clinical work. There are several common supervision models you should know:
Summary of
ATCB Code governing Standards of Practice, Eligibility for and Regulation of Credentials, and Disciplinary Procedures
The Art Therapy Credentials Board (ATCB) is a nonprofit organization responsible for issuing credentials to art therapists who meet specific standards. These credentials are granted to protect the public and ensure that art therapists practice within a set of established professional standards.
Here are the key points to remember for your exam:
Art Therapist
Anyone who has applied for, holds, or is trying to maintain ATCB credentials.
Client
Recipient of art therapy services.
Confidential
Any information—spoken, written, or artistic—shared by or about a client during therapy.
Conflict of Interest
When an art therapist’s objectivity is or may be compromised due to personal, financial, or professional relationships.
Crisis Situation
When someone experiences something they feel is unmanageable using their current coping skills.
Legally Authorized Representative
Someone legally allowed to consent on behalf of another (e.g., a guardian for a minor or incapacitated person).
Dual Relationships
When an art therapist has more than one role with a client (e.g., therapist + friend, or therapist + business partner), or is involved with someone close to the client.
Reasonable/Reasonableness
What an average, competent art therapist would typically do under similar circumstances.
Reasonable Cause
Enough factual evidence or observation to believe something is likely true.
Social Media
Websites/apps that allow users to share content or connect online (e.g., Instagram, Facebook, LinkedIn).
Focus on knowing:
The mission of the Art Therapy Credentials Board (ATCB) is to protect the public by establishing and upholding the highest standards for competent practice of art therapy through the credentialing and certification process.