6226
Mrs Claude Leigh, née Myrtle Johnson and her Daughter Virginia 1933
Seated three-quarter length, Mrs. Leigh to the left, her head turned and looking to the left, wearing a cream evening dress with a pale pink sash tied round her waist, her left arm around her young daughter, who wears a pale blue party dress and coral necklace.
Oil on canvas, 147.5 x 114.5 cm (58 x 45 in.)
Inscribed lower left: de László / 1933 V
Laib L17676(797) / C15(17) Mrs. Claude Leigh
NPG Album 1933, f. 30
Sitters’ Book II, opp. f. 75: Myrtle Leigh 26th April 1933
Collection of Fred and Sherry Ross, USA
Two preparatory studies for this portrait remain in the collection of a descendent of the artist [111614] & [111645].
Myrtle Betsy Marie Johnson was the daughter of Edward Johnson of Chicago, Illinois.[1] Her first husband was Frederick Lawrence Thorelius of Chicago; they had a daughter, (Myrtle) Joyce.[2] The sitter later became an actress, apparently adapting the last name Thorelius and taking “Myrtle Thoreau” as her stage name when she was a member of the Ziegfeld Follies of 1924. At the end of that theatrical season she went to Deauville, France, where she met Claude Moss Leigh[3] (1888-1964), a widower and “London real estate agent, estimated to be worth $1,000,000.” They married in the Marylebone Registry Office on 11 February 1925, and honeymooned on the Riviera.[4] A daughter, Virginia, was born in 1930.
In the 1930s the Leighs lived in London at No. 25 Upper Brook Street[5] and maintained a country home, Foliejon Park, in Windsor Great Park. Their names appear regularly in the society pages both in London and New York, notably as the givers of a famous “Gay Nineties” ball in London in December 1933. They divorced in 1940, and by 1942 Mrs Leigh was a resident of the Plaza Hotel, New York.[6] On 18 November 1944 she remarried, to Frank Delaney, a well-known New York attorney, in Arlington, Virginia, with her daughter Virginia as her only attendant.[7] They settled at 4 E. 66th St., New York.[8]
Mrs Leigh was considered a great beauty, and was much sought after as a sitter for portraits and photographs. The National Portrait Gallery, London, holds several photographs of her taken by the famous photographer Dorothy Wilding (1893-1976). A portrait painted by John Sanderson-Wells (1872-1955), painted c. 1925 and exhibited in the Royal Academy, London, in 1928,[9] is in a private collection in England. She was also the subject of a portrait by the American artist Mrs R. C. Anderson, who painted under the name of M. Baynon Copeland.[10]
Virginia “Ginny” Leigh, daughter of Claude Moss Leigh (1888-1964) and his second wife, Myrtle Johnson, was born on 14 January 1930, probably in London, and was thus only a little over three years old in this portrait. As a young woman she lived in New York with her mother and stepfather, and became a U.S. citizen.[11] She made her debut in New York society on 22 December 1947 at the annual debutante cotillion and Christmas Ball at the Waldorf-Astoria Hotel. She was widely known as the “debutante of the year,” serving on the debutante committee of the Metropolitan Opera[12] and gracing the cover of Look magazine.[13] In a photo taken at the time of her coming-out party, which appeared in Life magazine,[14] she can be seen with her mother and stepfather in front of the present portrait; another photo from the same evening shows her just with her mother. After her own experience as a debutante she co-authored an article entitled “The Debutante Industry” for Collier’s magazine.[15] She also wrote as a society columnist for the New York Sun until its demise, and in 1950 was in London writing for the Evening Standard.”[16]
Virginia Leigh was also painted by Harrington Mann in 1935.[17]
PROVENANCE:
Sold at Phillips, London, Modern British and Irish Paintings, Drawings & Sculpture, 8 March 1994, lot 29;
Private Collection;
Sold at Mainichi Art Auctions, Japan, 12 January 2013;
Sold at Sotheby’s, London, British & Irish Art, 23 May 2013, lot 33
EXHIBITED:
•M. Knoedler & Co., London, Portraits by Philip A. de László, M.V.O., 21 June-22 July 1933, no 4
LITERATURE:
•László, Lucy de, 1933 diary, private collection
MD & KF 2013
[1] http://freepages.genealogy.rootsweb.ancestry.com/. There is some confusion as to her name. The source just cited gives it as Myrtle Betsy Marie Johnson; later her name appears as “Myrtle K. Leigh” or “Kristina Leigh.”
[2] Joyce Thorelius later took her stepfather’s surname, Leigh. In 1933 she became a naturalized British citizen.The London Gazette, 7 April 1933, p. 2368-70
[3] Née Levy, he had changed his surname in 1921
[4] “Myrtle Thoreau to Wed,” The New York Times, 11 February 1925. See also The New York Times, 25 November 1928, which notes he was “said to be the largest owner of homes for workingmen in London.”
[5] http://www.british-history.ac.uk/report.aspx?compid=42140#n126
[6] “Joyce Leigh Engaged to Jay Rutherfurd,” The New York Times, 27 April 1942, p. 11; “Miss Joyce Leigh Wed in St. Thomas,” The New York Times, 24 May 1942, p. 44
[7] “Mrs. Myrtle K. Leigh Is Wed,” The New York Times, 19 November 1944, p. 45
[8]“Dance for Miss Virginia Leigh,” The New York Times, 16 November 1947; “Reception for Virginia Leigh,” The New York Times, 26 November 1947
[9] The New York Times, 15 July 1928
[10]An image of the portrait by Sanderson-Wells is held by the Bridgeman Art Library. The portrait by Mrs. R. C. Anderson/M. Baynon Copeland was reproduced in The Sketch, 21 April 1937, p. 110.
[11] Cholly Knickerbocker, “Ginny Leigh Dates Marquess,” The San Antonio Light, 26 May 1950
[12] Life, 24 November 1947, p. 36
[13] Look, 20 January 1948
[14] “People,” Life, 26 January 1948, p. 47
[15] With William J. Slocum, Collier’s, 23 October 1948
[16] Pittsburgh Post-Gazette, 30 January 1950
[17] Oil on canvas, 124.5 x 92 cm (49 x 36 ¼ in.), sold at Phillips, London, Modern British Drawings and Sculpture, 18 January 1994, lot 59