DLA016-0032  Transcription

27th December, 1928.

My dear Friend,

Your very welcome letter of the 14th inst., gave us much pleasure and from which I see that you are as young in spirit as usual.[1]

I was very interested to hear that you are writing a book on King Edward VII.[2] With regard to his portrait [7705]  I must admit that, at the moment, I am not quite sure who made the reproduction after his picture, which is in my book[3]  but I think it was:-

The Photographische Gesellschaft,

BERLIN

Stechbahn, 1

Would you mind writing to them and asking for the photograph in my name  I, myself, have written to them to let them know about the time it was done,[4] when I painted King Edward [7705], whom I would call, amongst all the Sovereigns I have met, the most delightful, and most human Grand Seigneur, and if he was not, himself, artistic in his nature, he appreciated Art and supported it, but first of all his greatest quality was his interest in humanity and his keen political foresight. He was certainly a man who could not be led by any professional politician.

Yes, Turin was a most interesting experience and we had a most wonderful time while I painted the Crown Prince[5]  a very sympathetic young man with the best intention and great taste and absolute

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interest and understanding of all the beauty and Art by which he is surrounded at the Palace at Torino. Of course he is still very young, but I am sure he will become a splendid man  and he has always an example in front of him in Mussolini.[6]

I am sending you a photograph of my picture [7890], which will reach you in a few days and you can make any use of it that you like. He is painted in the costume of his great ancestor, Filliberto Emmanuelo and the shield on his breast is worked in pure gold and is a masterpiece of the great Benevuto [sic] Cellini.[7]

Next year on May 15th my Exhibition will be opened here and it will also, at the same time commemorate my 60th birthday, and this Exhibition will be one of the most interesting I have ever had up till now.[8]

At present I am preparing for my journey to Egypt to which I much look forward and which I need for my health. I am following the invitation of King Fuad to paint two large official portraits of him  one for the Palace and one for the Parliament.[9] After I have finished this work and have enjoyed the Art treasure of Cairo and its surroundings, I hope to spend another month up the Nile and to go up to the second Cataract, for a rest and to paint in the sun, studies for my own pleasure. My wife, and probably Paul, will follow me and arrive in time for a week in Cairo and will accompany me up the Nile, and it will certainly be one of the most interesting experiences of my life and I will not fail to write down all I pass through.[10]

All our four sons are with us  Henry[11] is getting on splendidly and is Assistant Professor at the:-

Institute of Technology,

CAMBRIDGE,

Boston,

MASS, U-S.A.

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Alas! His wife[12] has been very ill, but she is better now.

Stephen[13] the second son is leaving at the end of this week for America, to gain further experience in his engineering work and he hopes to stay there for a year or two.

Paul is preparing for his final examination for the Bar and Patrick[14] is still at Oxford and Johnnie[15] is still at his Public School. Otherwise we are all well. My wife and sons and myself all unite in sending our very best wishes for 1929.

I would be very pleased to hear again from you soon, if you will write to me at:-

Hotel Semiramis,

CAIRO

And now, dear Friend, | Believe me, | Yours always

Editorial Note:

Sigmund Münz (1859-1934), Austrian journalist and writer; for biographical notes see [6377].

SMDL

10/12/2017


[1] See DLA016-0031, letter from Sigmund Münz to de László, 14 December 1928

[2] Sigmund Münz, King Edward VII at Marienbad: political and social life at the Bohemian spas, Hutchinson & Co., London, 1934

[3] Oakley Williams, ed., Selections from The Work of P.A. de László, Foreword by Robert de Montesquiou, Hutchinson, London, 1921

[4] See DLA016-0033, letter from de László to The Photographic Gesellschaft, 27 December 1928

[5] In 1928, de László painted two portraits of the then Prince of Piedmont, see [7890] and [9813]

[6] For further details of de László’s views on Mussolini, see his portrait [6383]

[7] The Prince was to wear the costume of Emanuele Filiberto, Duke of Savoy (1528-1580) at a pageant of the House of Savoy commemorating the 400th anniversary of the birth of Emaneule Filiberto in 1528 (this is to be verified).

[8] The French Gallery, London, A Series of Portraits and Studies By Philip A. de László, M.V.O., May-June, 1929

[9] In January 1929, de László arrived in Cairo to paint King Fuad I of Egypt (see, the full-length portraits [4094], [4099], [110671] and [113256]), and his son, Prince Farouk [4122].

[10] Once de László’s commission was completed, he was joined by his wife, Lucy (1870-1950) [11474], and their 13-year-old son, Paul (1906-1983) [13214]. Together they journeyed up the Nile, visiting Karnak, Luxor and Aswan. During this trip, de László made a number of oil studies, including several landscapes and portraits. He also experimented with watercolour.

[11] Henry Guinness de Laszlo (1901-1967) [11664], eldest of the five sons of Philip and Lucy de László

[12] Mrs Henry Guinness de Laszlo, née Violet Staub (1900-1989) [13180]

[13] Stephen Philip de Laszlo (1904-1939) [4375], second son of Philip and Lucy de László

[14] Patrick David de Laszlo (1909-1980) [9205], fourth son of Philip and Lucy de László

[15] John Adolphus de Laszlo (1912-1990) [11622], fifth and youngest son of Philip and Lucy de László