Symbols in Time and Space
 
 
A man stands in front of a rock with an oval stone in his hand. All is quit. He hears only the sounds of the wind, the birds and running water. Rays of sunlight glance through the treetops onto the wet rock. He knows what he has to do. He knows how and why. There is an image inside him and he is going to transfer it to the rock. He lifts his hand and hacks an outline of the image into the rock. His hand does what his thoughts and tradition say he must do. The sound of stone against stone breaks the silence. Again and again he hammers and hacks in the same groove, making it deeper. The image becomes clear against the grey rock. The image on the rocks becomes the same as the image inside him.
 
Five thousand years later...
 
A man stands in front of a rock and sees that an image has been carved into it - an image that another person once saw inside himself and transferred to the rock. The place, the rock and the image are the same, but inside him he has quite different images and they do not look like the one on the rock. What stories were so important that they had to be chiseled into the rock and into the memory, exactly there and in no other place?
(from: "Rock Carvings in the Borderlands - Bohuslän and Østfold" by Anne-Sophie Hygen and Lasse Bengtsson)
 

A Statement of Belief

People enjoy rock art. Pieces of pottery and flint implements may be some of the things that help us to understand the past, but people like being in a vast, beautiful landscape, able to stand at a place with great views, look at art on the rocks, and continue to wonder what it's all about. People love places. People love a mystery. Give them the chance and they will be the best preservers of our heritage. Try to exclude them physically, intellectually and spiritually, and they will resent you, for rock art is not exclusive to a favoured group. It is the earliest means of 'communication' that we have in symbols with people from the deep past. It will continue to intrigue us, worry us, and we want to remain linked to it.

(from 'Prehistoric Rock Art in Cumbria' as well as 'Prehistoric Rock Art in Northumberland' by Stan Beckensall)


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